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Josef Albers. Location. Tate Modern, London. Homage to the Square is the title of a series of paintings produced by Josef Albers between 1950 and his death in 1976. In 1971, the paintings were the subject of the first solo show devoted to a living artist at the Metropolitan Museum of Art. [1] There are over 1000 works within the series. [2]
Homage to the Square: Ten Works by Josef Albers. 1962. Albers began making his Homage to the Square painting series around 1951. The works here mark one of the first occasions he explored this imagery in print. The viewer is meant to perceive shifting depth and changes of tone at the outer and inner perimeters of these nesting squares, even ...
- Looking Deeply
- The Bauhaus
- From Dessau to Black Mountain
- Tradition and Variation
Take a moment to really look deeply at this example of Josef Albers’ extensive series, Homage to the Square. The composition of this painting is simple enough – four progressively smaller squares within each other, each in a different color, and all aligned closer to the bottom of the composition than to the top. So stand back from this Homage to t...
Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920. The Bauhaus was a revolutionary school of art and design in Germany, founded by Walter Gropius in 1919. Its philosophy was to integrate the principles of fine art and functional ...
In 1925, the year that the Bauhaus moved from Weimar to their iconic building in Dessau, Gropius invited Albers to be the first student of the Bauhaus to join the faculty. Albers worked with Paul Klee in the stained glass workshop and was the longest-serving member of the faculty when the school was shut down by the Nazis in 1933. But the Bauhaus w...
The idea of creating space through color goes back to a technique known as atmospheric perspective. The best examples can be seen in landscapes of the Dutch Golden Age and Italian Renaissance artists such as Leonardo da Vinci. The principle of atmospheric perspective is that objects that are far away are less saturated in color, and have less contr...
A painting of a geometric abstraction of four squares in different tones of yellow and gray, created by the American artist Josef Albers in 1959. The work explores the effects of color and light on the viewer's eye and mind, based on the Bauhaus philosophy of contrasting colors and textures.
In his series titled, Homage to the Square, he produced an extensive body of variations on a highly focused theme. Homage to the Square is a collection of explorations in color and spatial relationships in which Albers limited himself to square formats, solid colors and precise geometry, yet was able to achieve a seemingly endless range of ...
Study for Homage to the Square: In Wide Light, 1956. Josef Albers. ... (AI) system, without written permission from The Josef and Anni Albers Foundation. ...
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Josef Albers, Homage to the Square: “Ascending,” 1953, oil on composition board, 110.5 × 110.5 cm (Whitney Museum of American Art) Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920. The Bauhaus was a revolutionary school ...
