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Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.) Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
HQ of Kawai Musical Instruments in Hamamatsu Shigeru Kawai Grand Piano. Koichi Kawai, the company founder, was born in Hamamatsu, Japan in 1886. His neighbor, Torakusu Yamaha, a watchmaker and reed organ builder, took him in as an apprentice. Kawai became a member of the research and development team that introduced pianos to Japan.
- August 1927; 96 years ago
- Musical instruments
- 2,813 (2020)
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1, " Quasi una fantasia ", is a sonata composed by Ludwig van Beethoven in 1800–1801. Composition and publication [ edit ] Beethoven was about 30 years old when he wrote the sonata.
- 1800-01
- 27/1
- 3 or 4, depending on edition
- E-flat major
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Beethoven’s late piano sonatas. After that, there was a gap of around four years, to 1814, before the first of Beethoven’s “late” piano sonatas, ‘Op. 90 ‘– in two concise movements ...
The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven 's piano sonatas. The work was written between 1821 and 1822. Like other late period sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf . The sonata consists of only two contrasting movements.
- 1821–22
- 1822
- 2
- C minor
Beethoven composed works in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and opera. His compositions range from solo works to those requiring a large orchestra and chorus. Beethoven straddled both the Classical and Romantic periods, working in genres associated with Wolfgang Amadeus ...
Mar 20, 2020 · By Harry Haskell. Ever since 1861, when Sir Charles Hallé performed all 32 Beethoven piano sonatas on a landmark concert series in London, pianists have contemplated these canonical masterpieces with almost religious awe. Indeed, the late–19th-century virtuoso Hans von Bülow—who thought nothing of playing Beethoven’s five notoriously ...
