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  1. en.wikipedia.org › wiki › KayōkyokuKayōkyoku - Wikipedia

    Kayōkyoku (歌 謡 曲, lit. ' Pop Tune ') is a Japanese pop music genre, which became a base of modern J-pop. The Japan Times described kayōkyoku as "standard Japanese pop" or "Shōwa-era pop". Kayōkyoku represents a blend of Western and Japanese musical scales. Music in this genre is extremely varied as a result.

    • 1920s, Japan
  2. Kayōkyoku (歌謡曲, literally “Pop Tune”) is a Japanese pop music genre, which became a base of modern J-pop. The Japan Times described kayōkyoku as “standard Japanese pop” or “Shōwa-era pop”. Kayōkyoku represents a blend of Western and Japanese musical scales.

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  4. Jun 10, 2019 · Japanese Kayōkyoku Women Vocalists 1960s-70s. In Tokyo Boogie-Woogie: Japan’s Pop Era and Its Discontents, Hiromu Nagahara talks about western influences in Japanese pop music emerging 100 years ago. Jazz journeyed back over the Pacific on steamers by citizens traveling abroad, first in sheet music form, and then as 78s.

  5. Jul 17, 2020 · In bare terms, city pop was, like Shibuya-kei or kayokyoku, simply the name given to define another era of Japanese pop music. At first glance, its features of funk, disco, R&B, soul and adult-orientated rock (AOR) seem unremarkable for the 1970s and ’80s, perhaps even a subplot in the homogenization of global pop music.

  6. Kayōkyoku (歌謡曲, literally "Pop Tune") is a Japanese pop music genre, which became a base of modern J-pop. The Japan Times described kayōkyoku as "standard Japanese pop" or "Shōwa-era pop". Kayōkyoku represents a blend of Western and Japanese musical scales.

  7. Kayoukyoku started as "western styled" songs in the 1920s. Kayōkyoku (歌謡曲) simple means "popular songs" and replaced the earlier term Ryūkōka (流行歌) in the 1930s. After the war, kayoukyoku became the dominant form of popular music. The term was still used as the generic term for Japanese based popular music until it was replaced ...

  8. Aug 5, 2013 · This article examines how enka evolved from the earlier genre of kayōkyoku, looking at the musical markers of Japaneseness and considering issues of authenticity and originality in those earlier genres.

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