American Woman
2019
Search results
Website. www .kentuckeraudley .com. Andrew Michael Nenninger (born November 13, 1981), known professionally as Kentucker Audley, is an American filmmaker and actor. He appeared on the 2007 Filmmaker Magazine list of 25 New Faces of Independent Film. [3] He founded the independent film platform NoBudge, first as a Tumblr blog in 2011 and then a ...
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- University of Memphis
- 2006–present
- Andrew Michael Nenninger, November 13, 1981 (age 41), St. Louis, Missouri, United States
Learn about the latest film by Kentucker Audley, a soulful sci-fi oddity about a family's quest for a new home, and his previous works, such as "Sylvio" and "Sun Don't Shine". Explore his video essays, his co-founded curated video service NoBudge, and his advocacy for indie film culture.
Kentucker Audley is a filmmaker and actor who has appeared in films such as Sun Don't Shine, Ain't Them Bodies Saints, and Strawberry Mansion. He also runs NoBudge, a blog that showcases true independent films.
- January 1, 1
- 2 min
- Lexington, Kentucky, USA
Kentucker Audley (born 13 November, 1981; Lexington, Kentucky) is an American filmmaker, actor, screenwriter, editor, film programmer and movies hat salesman. His latest film, “Strawberry Mansion” (co-directed with Albert Birney) premiered at Sundance 2021.
Kentucker Audley is a filmmaker & actor. "One of American independent cinema’s most vital figures," says Paste Magazine. His latest film Sylvio debuted at SXSW 2017 gaining positive reviews from ...
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Kentucker Audley is an actor, writer, and director who has worked on several indie films, including "Team Picture", "Sun Don't Shine", and "The Sacrament". Explore his filmography, ratings, reviews, and more on Rotten Tomatoes.
The last in a series of mini-features directed by Kentucker Audley revolving around a small circle of friends in Memphis, Tennessee. Lacking a central narrative, the film is an improvised relationship drama that mirrors the real-life development of the actors' lives made over the course of 3 years. Praise for the film:
