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  1. Kiyoshi Kurosawa

    Kiyoshi Kurosawa

    Japanese film director, screenwriter and film critic

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  1. Oct 19, 2016 · Simon Abrams October 19, 2016. Tweet. Japanese filmmaker Kiyoshi Kurosawa's horror films are unlike any other J-horror films. This is partly a matter of cerebral approach, and partly a technical difference: he directs films differently because he conceives of his films with greater, and perhaps more eccentric detail than other J-horror ...

  2. Nov 8, 2022 · Seongyong Cho November 08, 2022. Tweet. Kiyoshi Kurosawa ’s 1997 film “Cure,” whose 4K restoration version was released in South Korean theaters this July and distributed by the Criterion Collection several months later, is an unnerving, creepy masterwork that will haunt you in more than one way.

  3. Mar 20, 2001 · 20 March 2001. by Tom Mes. When his revisionist serial killer film Cure burst onto the scene in 1998, Kiyoshi Kurosawa was quickly seen as the new hope for fans of fantastic cinema worldwide. As a result of that film's success he is mainly known internationally as a horror film director.

  4. Sep 22, 2020 · One of the greats of contemporary Japanese cinema, Kiyoshi Kurosawa is one of those rare filmmakers whose work straddles wildly differing genres yet remains bound together by common threads. Winner of the best director award at the Venice Film Festival 2020 for his period espionage drama Wife of a Spy, Kurosawa was known initially as a ...

  5. Dec 6, 2020 · December 6, 2020. Kurosawa Kiyoshi has demonstrated a mastery of multiple styles and genres across his career. Yet the 65-year-old director is known in the United States mostly for his horror films, the only branch of contemporary Japanese cinema to consistently reach an international audience.

  6. Oct 20, 2020 · ‘Wife of a Spy’ Director Kiyoshi Kurosawa on ‘Making the Scary Parts Scary’. By Mark Schilling. Courtesy of Venice Film Festival. Variety spoke with Kiyoshi Kurosawa, whose World War II...

  7. Mar 10, 2009 · Kiyoshi Kurosawa sits down with APA to discuss the film, his definitions of horror and melodrama, and his hopes for a brighter future. By Bryan Hartzheim. Two of the most internationally recognized Japanese films released in 2008 dealt with today's economic realities in an unsettlingly timely manner.

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