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Krzysztof Trzciński (27 April 1931 – 23 April 1969), known professionally as Krzysztof Komeda, was a Polish film music composer and jazz pianist. Perhaps best known for his work in film scores, Komeda wrote the scores for Roman Polanski’s films Knife in the Water (1962), Cul-de-sac (1966), The Fearless Vampire Killers (1967), and Rosemary’s Baby (1968).
Krzysztof Komeda. Krzysztof Komeda (Krzysztof Komeda-Trzciński, born Krzysztof Trzciński), jazz composer, pianist and medical doctor. Born 27th April 1931 in Poznań, died 23rd April 1969 in Warsaw. Komeda started to learn the piano at the age of seven and took part in his first jam session at the age of nineteen, during a stay in Krakow.
Wikipedia Shqip është versioni shqip i Wikipedia-s, enciklopedisë së lirë. Ajo filloi më 12 tetor 2003 dhe tani përmban 84.261 artikuj . Për nga numri i artikujve, Wikipedia shqip e mban vendin e 75-të [1] sipas listës së Wikipedia-ve.
Krzysztof Komeda. More images. Real Name: Krzysztof Trzciński. Profile: Polish jazz pianist and composer of film music, by profession a doctor of laryngology. Born: 27 April 1931 in Poznań, Poland. Died: 23 April 1969 in Warsaw, Poland (aged 37). The precursor of modern jazz in Poland, Komeda is mostly known for soundtracks for over 60 films ...
Komeda Krzysztof. in Encyclopedia of Popular Music (4) Length: 246 words. B. Krzysztof Trzcinski, 8 April 1931, Poznan, Poland, d. 23 April 1969, Warsaw, Poland. Long before western Europe enthused over Zbigniew Namyslowski and the Ganelin Trio, pianist and composer Komeda ...
Komeditë Shqiptare. Komiket Shqiptare, megjithëse jo të njohura ndërkombëtarisht, janë prodhuar kryesisht nga autorë komik nga Kosova. Deri vonë nuk kishte traditë komike në Shqipëri, ku komikët shiheshin si letërsi e vjetër e njohur si fumeti (fjalë për fjalë, retë e vogla tymi), sepse arti pop ishte i ndaluar nga regjimi ...
Krzysztof Komeda chronology. Jazz Jamboree '64 vol. 2. (1964) Astigmatic. (1966) Le Depart. (1966) Astigmatic is a studio album by Polish jazz pianist and composer Krzysztof Komeda. It is often considered to be Komeda's masterpiece as well as one of the greatest albums of both Polish and European jazz.
