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  1. Jan 6, 1987 · 22,751 ratings1,885 reviews. Published when Wallace was just twenty-four years old, The Broom of the System stunned critics and marked the emergence of an extraordinary new talent. At the center of this outlandishly funny, fiercely intelligent novel is the bewitching heroine, Lenore Stonecipher Beadsman. The year is 1990 and the place is a ...

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  2. Jul 31, 2010 · INFINITE JEST, By David Foster Wallace (Little, Brown and Co.; $29.95; 1,079 pp.) By David Kipen, David Kipen is a copy editor at Variety. It takes a special kind of nerve to write a book with ...

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  4. Apr 13, 2016 · There is a story, it moves forward toward a conclusion. I have no confirmation that this is happening in Infinite Jest. There can be, like, 300,000 words between two scenes of a character’s narrative. The King James Bible has 783,137 words—only 35.6% longer than Infinite Jest. There are 20,584 unique words in Infinite Jest. Wallace has a ...

  5. Aug 20, 2015 · By Jonathan Russell Clark. August 20, 2015. In a recent essay in New York Magazine, Molly Fischer wrote that David Foster Wallace has become a hero of “bros,” which “drives some women to treat “loves DFW” as synonymous with “is one of those motherfuckers.”. She recounts an anecdote that Jason Segel (who plays Wallace in the film ...

    • Jonathan Russell Clark
  6. Apr 1, 2022 · In 1996, shortly after the publication of “Infinite Jest,” David Foster Wallace took courses at Harvard University on accounting and federal tax law. He had an idea for a new novel: an ...

    • Jonathan Russell Clark
  7. I have committed to crossing my legs I hope carefully, ankle on knee, hands together in the lap of my slacks. My fingers are mated into a mirrored series of what manifests, to me, as the letter X. The interview room's other personnel include: the University's Director of Composition, its varsity tennis coach, and Academy prorector Mr. A. deLint.

  8. May 23, 2021 · Steve Martin "L.A. Story" 1991 - Bobbie Wygant Archive. “L.A. Story” is full of casual surrealism, absurdist comedy, stream of conscious jokes and, yes, wild and crazy wackiness that materializes than vanishes in take-it-or-leave-it increments. The opening scene of Telemacher’s insane drive to work is shot and edited like an action movie.

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