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  1. Sep 29, 2016 · The producer’s life is oftentimes a very diverse one, as producer Lauren Avinoam’s professional journey can attest. Prior to producing such indie outbreak successes as Fourth Man Out, Avinoam started her career in film festival acquisitions and strategy at Ouat Media. Lauren Avinoam

  2. 833 followers 500+ connections. View mutual connections with Lauren. Welcome back. Self-employed. Public Relations, Marketing Consulting, Strategic Planning, Writing, and Project Management....

    • 460
    • Self-employed
    • Earl Haig Secondary School
    • United States
  3. Lauren Avinoam (LA Publicity) – Publicist Lauren Avinoam founded LA Publicity in 2010. After serving as the Festival Strategist for Oscar Winning distribution house OUAT Media (based in Toronto, Canada), Lauren went out on her own to include new clientele and filmmakers primarily located in the USA.

  4. Oct 18, 2018 · 4 'Baby Reindeer' Star Richard Gadd Questioned By Producers Over Dating Actress Who Auditioned For Hit ... All These Small Moments was produced by Lauren Avinoam and Jed Mellick of Jemstone ...

  5. May 13, 2015 · Veteran producers Lauren Avinoam and Lauren Hogarth have teamed to form Los Angeles-based production banner Moving Pictures, which they are launching at Cannes. Avinoam and Hogarth produced coming ...

  6. schedule.sxsw.com › 2022 › speakersSXSW 2022 Schedule

    Lauren is a multilingual producer and film festival strategist with over 10 years of experience. She began her career as a festival strategist at Toronto's OUAT Media and as an independent Producer, her credits include: LOWLAND KIDS (SXSW '19), ALL THESE SMALL MOMENTS (MGM / Orion Classics, Tribeca '18), the LGBTQ+ Outfest Award Winning 4TH MAN OUT and ASK ME ANYTHING (eOne).

  7. For Blue Hour, directed by J.D. Shields, we had to add life to the doll used for shooting the scenes involving the baby - subtly animating it breathing, and adding mouth movements. Also, the doll had a very plastic look to it (maybe because it was a plastic doll?), so the specular highlights and nostrils needed some additional love, to make it look more realistic. Project details Directed by: J.

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