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1 day ago · Signature. Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical ...
- List of Compositions by Ludwig Van Beethoven
List of works by genre Beethoven, caricatured by Johann...
- Johann Van Beethoven
Johann van Beethoven (c. 1739 or 1740 – 18 December 1792)...
- Beethoven in Film
List of films. A now-lost French silent film called...
- Karl
Karl van Beethoven (4 September 1806 – 13 April 1858) was...
- Josephine Brunsvik
Josephine Brunszvik, miniature drawn by pencil, before 1804....
- Maria
Maria Magdalena van Beethoven, née Keverich (19 December...
- Symphony No. 5
The Symphony No. 5 in C minor, Op. 67, also known as the...
- Heiligenstadt Testament
The Heiligenstadt Testament is a letter written by Ludwig...
- Antonie Brentano
Antonie Brentano, Portrait by Joseph Karl Stieler, 1808....
- List of Compositions by Ludwig Van Beethoven
4 days ago · March 26, 1827, Vienna, Austria. Notable Works: “Archduke Trio” “Battle Symphony” “Choral Fantasy in C Minor” “Christ on the Mount of Olives” “Diabelli Variations, Op. 120” “Emperor Concerto” “Eroica Symphony” “Fidelio” “Great Fugue” “Hammerclavier Sonata” “Heiligenstadt Testament” “Missa Solemnis” “Moonlight Sonata” “Pathétique Sonata”
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4 days ago · Op. 125: Re-orchestration of the Cello Concerto in A minor by Robert Schumann (1963) Re-orchestration of the Cello Concerto No. 1 by Boris Tishchenko (1969) Orchestration of Mephistopheles' Song of the Flea by Ludwig van Beethoven (1975)
21 hours ago · Cello Concerto No. 5 C major 1899 Cello, orchestra spurious, attributed to David Popper: VIIb:g1 Cello Concerto G minor c. 1773 Cello, strings doubtful, lost VIIc:1 Double Bass Concerto D major Double Bass, strings lost VIId:1 Horn Concerto D major 1765 Horn, orchestra lost VIId:2 Concerto for 2 Horns E ♭ major c. 1760
2 days ago · The finale is flat, short of joie de vivre. Simply as pianism, it’s beautifully played, with delicacy and refinement, but if Beethoven’s rough humour is mostly absent, the performance misses the point. Canellakis, meanwhile, mistakes hardness for ruggedness. The C-sharp minor Sonata begins with such a matter-of-fact Adagio sostenuto, devoid ...