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  1. 2 days ago · Among those accompanying him was Louis Malle who made a black-and-white film of the expedition for the company. Cousteau won the Palme d'Or at the Cannes Film Festival in 1956 for The Silent World co-produced with Malle. In 1957, Cousteau took over as leader of the Oceanographic Museum of Monaco.

  2. en.wikipedia.org › wiki › Palme_d&Palme d'Or - Wikipedia

    May 4, 2024 · The Palme d'Or ( French pronunciation: [palm (ə) dɔʁ]; English: Golden Palm) is the highest prize awarded at the Cannes Film Festival. [1] It was introduced in 1955 by the festival's organizing committee. [1] Previously, from 1939 to 1954, the festival's highest prize was the Grand Prix du Festival International du Film. [1]

    • France
    • Cannes
  3. 3 days ago · Website. oscars .org. The Academy Award for Best Director (officially known as the Academy Award of Merit for Directing) is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS). It is given in honor of a film director who has exhibited outstanding directing while working in the film industry .

    • ((John Ford)) (5)
  4. Apr 17, 2024 · References. Murmur of the Heart (French Le souffle au cur) is a 1971 French film by French director Louis Malle and starring Lea Massari, Benot Ferreux and Daniel Glin. Written as Malle's semiautobiography, the film tells a coming of age story about a 14yearold boy growing up in bourgeois surroundings in.

    • Louis Malle
  5. May 5, 2024 · Louis Malle's second American (feature) film is a dynamic and relentlessly clever neonoir, The Trailer Project is proud to present this trailer commentary fo...

    • 3 min
    • The Trailer Project
  6. May 3, 2024 · Voir plus de listes. Le Souffle au cœur est un film de Louis Malle. Synopsis : 1954. Laurent, 15 ans, vit à Dijon entre un père gynécologue, homme rigide, et sa mère Clara, une Italienne...

  7. Apr 29, 2024 · Two films directed by Louis Malle (with whom she was romantically involved) brought her greater attention: Pretty Baby (1978) and Atlantic City (1981). In both films Sarandon played women who are initially presented simply as objects of male desire but who later reveal their underlying intelligence and independence.

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