Sabrina (1954 film)
1954
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Rated 4/5 Stars • Rated 4 out of 5 stars 01/29/23 Full Review farah r Not one of Audrey Hepburn's best films, Love in the Afternoon offers a few moments of pleasure but not an overall pleasant ...
- (300)
- Audrey Hepburn
- Billy Wilder
- Romance, Comedy
Filmed in 1957, the only way to show the title occurrence is to have a camera shot following Hepburn's dis-robed fur coat falling to the hotel room's floor, as she embraces Cooper. The ending is suspenseful, with cute narration epilogue by Chevalier. A wonderful film. 45 out of 61 found this helpful.
Love in the Afternoon: Directed by Billy Wilder. With Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver. A middle-aged playboy becomes fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
- (17.1K)
- Billy Wilder
- Approved
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Full Review | Feb 3, 2009. Though not as charming or touching as Sabrina, Wilder's 1957 romantic comedy teams Gary Cooper and Audrey Hepburn and serves as a good star vehicle for both. Full Review ...
A decidedly cynical yet irresistibly sophisticated romantic comedy—it’s the ideal film for women still weary from the lies told by wooing men-- especially when faced with any of the following on a sliding scale of misdeeds comprised of scoundrels whose eyes follow anything in a skirt even when in the company of another woman, sins of ...
American romantic comedy film produced and directed by Billy Wilder, starring Gary Cooper and Audrey Hepburn. The visual gags that Wilder deploys are as stingingly cynical as ever, but here they have a newfound way with time, which they inhabit with an exquisitely controlled leisure. It’s the first of Wilder’s later and greatest films.
Jul 10, 2014 · This is just sluggish. The movie doesn't pop, is the problem, and Billy Wilder comedies need to pop. Even Billy Wilder dramas need to pop. Worse still, Love in the Afternoon is fairly transparently his attempt to pay homage to his mentor and creator of the greatest sex comedies in sound cinema, Ernst Lubitsch; the film's best moments (and it ...
