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  1. en.wikipedia.org › wiki › SequenzaSequenza - Wikipedia

    Sequenza (Italian for "sequence") is the name borne by fourteen compositions for solo instruments or voice by Luciano Berio. The pieces, some of which call for extended techniques, are: Sequenza I (1958; rev. 1992) for flute; Sequenza II (1963) for harp; Sequenza III (1965) for female voice; Sequenza IV (1965) for piano; Sequenza V (1966) for ...

  2. Luciano Berio OMRI (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental work (in particular his 1968 composition Sinfonia and his series of virtuosic solo pieces titled Sequenza), and for his pioneering work in electronic music.

  3. en.wikipedia.org › wiki › Sequenza_XSequenza X - Wikipedia

    Trumpet, piano. Sequenza X is a composition for trumpet and piano by Luciano Berio, the tenth in his series of pieces with this title. The work was commissioned by the Los Angeles Philharmonic for Thomas Stevens, and premiered by him on November 19, 1984. The piece is dedicated to Ernest Fleischmann, managing director of the Los Angeles ...

    • November 19, 1984
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  5. Berio: Sequenzas. Jed Distler. Artistic Quality: 9. Sound Quality: 9. Between 1958 and 2002 Luciano Berio completed his 14 solo Sequenzas, a series of pieces that push not only each instrument’s technical, textural, and expressive possibilities, but also those of the performer.

  6. Sequenza III (author's note) | Centro Studi Luciano Berio - Luciano Berio's Official Website. Home. Sequenza III (author's note) Sequenza III for voice (1965) The voice carries always an excess of connotations, whatever it is doing.

  7. Jun 25, 2006 · By Anne Midgette. June 25, 2006. LUCIANO BERIO did not necessarily conceive his "Sequenzas" to be heard together as a cycle. Virtuosic and intense works for solo instruments (including voice ...

  8. All of these concerns merge in Sequenza V – along with an explicitly theatrical dimension that transforms traditional expectations of the recitalist-audience rapport into a brand of performance art. Berio’s score includes stage directions detailing the trombonist’s demeanor and actions. The piece consists of two unequal sections.

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