Cosmote TV. Channel 49. MAD TV (also known as MAD) is a Greek television network that broadcasts music related programming including video clips, music news, and interviews as well as concert footage. It was the first music station in Greece, launched on June 6, 1996, and is run by Andreas Kouris. MAD TV’s target group ranges from 15 to 24 ...
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1. Mad (band), a rock band from Buenos Aires, Argentina 2. M.A.D (band), a British boyband 3. M.A.D. (punk band), a 1980s band, which later became Blast 4. Meg and Dia, an American indie rock band
1. Mad (Raven EP), released in 1986 2. Mad (Hadouken! EP), released in 2009 3. Mad (GOT7 EP), released 2015
1. "Mad" (Ne-Yo song), 2008 2. "Mad", by Dave Dudley from Talk of the Town, 1964 3. "Mad", from Secret Life of Harpers Bizarre, 1968 4. "Mad", by The Lemonheads from Lick, 1989 5. "Mad", from the album Magnetic Man, 2010 6. "Mad", by Cassie Steele, 2014 7. "M・A・D" (Buck-Tick song), 1991Mad (TV series), a 2010–2013 television series on Cartoon Network based on the magazineM.A.D. (Indian TV programme), a 2005–2010 Indian children's educational television programme that aired on Pogo TVMad (magazine), an American humor magazineMad, a term for insanityused chiefly in British EnglishMad, a term for angerused chiefly in US English
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Warner Bros. Home Entertainment released The Complete First Season of Mad TV in 2004. However, due to poor sales, the release of the second season was cancelled (despite a preview for it in the first season DVD). Mad TV: The Best of Seasons 8, 9, and 10 was released in 2005, featuring the most popular sketches from those seasons.
Mad News. News. Νατάσα Θεοδωρίδου – Χρήστος Μάστορας: Τι ετοιμάζουν οι δυο τους; 29/05/2021. Η Έλενα Παπαρίζου “λύγισε” στην εκπομπή του Γρηγόρη Αρναούτογλου. 28/05/2021. House of Fame: Η συγκίνηση “κυριαρχεί ...
Mad is an American animated sketch comedy produced by Warner Bros. Animation. The series was based on Mad magazine, where each episode is a collection of short animated parodies of television shows, films, games, celebrities, and other media, using various types of animation (CGI, claymation, stop-motion, etc.) instead of the usual animation style that Warner Bros. Animation is known for.
Finally ERT incorporated YENED. TV 100 (1988) is the first non-state TV station in Greece. It belongs to the Municipality of Thessaloniki, founded in 1988 by the then mayor of the city Sotiris Kouvelas, who served as mayor until 1989 and a year later, he founded TV station with national coverage in Athens.
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Mad began as a comic book published by EC, debuting in August 1952 (cover date October–November). The Mad office was initially located in lower Manhattan at 225 Lafayette Street, while in the early 1960s it moved to 485 Madison Avenue, the location listed in the magazine as "485 MADison Avenue". The first issue was written almost entirely by Harvey Kurtzman, and featured illustrations by him, Wally Wood, Will Elder, Jack Davis, and John Severin. Wood, Elder, and Davis were to be the three main illustrators throughout the 23-issue run of the comic book. To retain Kurtzman as its editor, the comic book converted to magazine format as of issue #24, in 1955. The switchover induced Kurtzman to remain for one more year, but the move had removed Mad from the strictures of the Comics Code Authority. William Gaines related in 1992 that Mad "was not changed [into a magazine] to avoid the Code" but "as a result of this [change of format] it did avoid the Code." Gaines claimed that Kurtzman had...
Though there are antecedents to Mad's style of humor in print, radio and film, Mad became a signature example of it. Throughout the 1950s, Mad featured groundbreaking parodies combining a sentimental fondness for the familiar staples of American culture—such as Archie and Superman—with a keen joy in exposing the fakery behind the image. Its approach was described by Dave Kehr in The New York Times: "Bob Elliott and Ray Goulding on the radio, Ernie Kovacs on television, Stan Freberg on records, Harvey Kurtzman in the early issues of Mad: all of those pioneering humorists and many others realized that the real world mattered less to people than the sea of sounds and images that the ever more powerful mass media were pumping into American lives." Bob and Ray, Kovacs and Freberg all became contributors to Mad. In 1977, Tony Hiss and Jeff Lewis wrote in The New York Timesabout the then-25-year-old publication's initial effect: Mad is often credited with filling a vital gap in political s...
Mad is known for many regular and semi-regular recurring features in its pages, including "Spy vs. Spy", the "Mad Fold-in", "The Lighter Side of ..." and its television and movie parodies. The magazine has also included recurring gags and references, both visual (e.g. the Mad Zeppelin, or Arthur the potted plant) and linguistic (unusual words such as axolotl, furshlugginer, potrzebieand veeblefetzer).
The magazine has been involved in various legal actions over the decades, some of which have reached the United States Supreme Court. The most far-reaching was Irving Berlin et al. v. E.C. Publications, Inc. In 1961, a group of music publishers representing songwriters such as Irving Berlin, Richard Rodgers, and Cole Porter filed a $25 million lawsuit against Mad for copyright infringement following "Sing Along With Mad", a collection of parody lyrics which the magazine said could be "sung to the tune of" many popular songs. The publishing group hoped to establish a legal precedent that only a song's composers retained the right to parody that song. Judge Charles Metzner of U.S. District Court for the Southern District of New York ruled largely in favor of Mad in 1963, affirming its right to print 23 of the 25 song parodies under dispute. However, in the case of two parodies, "Always" (sung to the tune of "Always") and "There's No Business Like No Business" (sung to the tune of "The...
Mad was long noted for its absence of advertising, enabling it to satirize materialist culture without fear of reprisal. For decades, it was the most successful American magazine to publish ad-free,beginning with issue #33 (April 1957) and continuing through issue #402 (February 2001). As a comic book, Mad had run the same advertisements as the rest of EC's line. The magazine later made a deal with Moxie soda that involved inserting the Moxie logo into various articles. Mad ran a limited number of ads in its first two years as a magazine, helpfully labeled "real advertisement" to differentiate the real from the parodies. The last authentic ad published under the original Mad regime was for Famous Artists School; two issues later, the inside front cover of issue #34 had a parody of the same ad. After this transitional period, the only promotions to appear in Mad for decades were house ads for Mad's own books and specials, subscriptions, and promotional items such as ceramic busts, T-...
Mad has provided an ongoing showcase for many long-running satirical writers and artists and has fostered an unusual group loyalty. Although several of the contributors earn far more than their Mad pay in fields such as television and advertising, they have steadily continued to provide material for the publication. Among the notable artists were the aforementioned Davis, Elder and Wood, as well as Sergio Aragonés, Mort Drucker, George Woodbridge, Harry North and Paul Coker. Writers such as Dick DeBartolo, Stan Hart, Frank Jacobs, Tom Koch, and Arnie Kogen appeared regularly in the magazine's pages. In several cases, only infirmity or death has ended a contributor's run at Mad. Within the industry, Mad was known for the uncommonly prompt manner in which its contributors were paid. Publisher Gaines would typically write a personal check and give it to the artist upon receipt of the finished product. Wally Wood said, "I got spoiled ... Other publishers don't do that. I started to get...
In 1955, Gaines began presenting reprints of material for Mad in black-and-white paperbacks, the first being The Mad Reader. Many of these featured new covers by Mad cover artist Norman Mingo. This practice continued into the 2000s, with more than 100 Mad paperbacks published. Gaines made a special effort to keep the entire line of paperbacks in print at all times, and the books were frequently reprinted in new editions with different covers. There were also dozens of Madpaperbacks featuring entirely new material by the magazine's contributors. Mad also frequently repackaged its material in a long series of "Super Special" format magazines, beginning in 1958 with two concurrent annual series entitled The Worst from Mad and More Trash from Mad. Various other titles have been used through the years. These reprint issues were sometimes augmented by exclusive features such as posters, stickers and, on a few occasions, recordings on flexi-disc, or comic book-formatted inserts reprinting...
Between 2005 and February 17, 2009, the magazine published 14 issues of Mad Kids, a spinoff publication aimed at a younger demographic. Reminiscent of Nickelodeon's newsstand titles, it emphasized current kids' entertainment (i.e. Yu-Gi-Oh!, Naruto, High School Musical), albeit with an impudent voice. Much of the content of Mad Kidshad originally appeared in the parent publication; reprinted material was chosen and edited to reflect grade schoolers' interests. But the quarterly magazine also...
Mad has been published in local versions in many countries, beginning with the United Kingdom in 1959, and Sweden in 1960. Each new market receives access to the publication's back catalog of articles and is also encouraged to produce its own localized material in the Mad vein. However, the sensibility of the American Mad has not always translated to other cultures, and many of the foreign editions have had short lives or interrupted publications. The Swedish, Danish, Italian and Mexican Mads...
Other satiric-comics magazines
Following the success of Mad, other black-and-white magazines of topical, satiric comics began to be published. Most were short-lived. The three longest-lasting were Cracked, Sick, and Crazy Magazine. These three and many others featured a cover mascot along the lines of Alfred E. Neuman. Color comic-book competitors, primarily in the mid-to-late 1950s, were Nuts!, Get Lost, Whack, Riot, Flip, Eh!, From Here to Insanity, and Madhouse; only the last of these lasted as many as eight issues, and...
Over the years, Mad has branched out from print into other media. During the Gaines years, the publisher had an aversion to exploiting his fan base and expressed the fear that substandard Mad products would offend them. He was known to personally issue refunds to anyone who wrote to the magazine with a complaint. Among the few outside Mad items available in its first 40 years were cufflinks, a T-shirt designed like a straitjacket (complete with lock), and a small ceramic Alfred E. Neuman bust. For decades, the letters page advertised an inexpensive portrait of Neuman ("suitable for framing or for wrapping fish") with misleading slogans such as "Only 1 Left!" (The joke being that the picture was so undesirable that only one had left their office since the last ad.) After Gaines' death came an overt absorption into the Time-Warner publishing umbrella, with the result that Mad merchandise began to appear more frequently. Items were displayed in the Warner Bros. Studio Stores, and in 19...Slaubaugh, Mike, ed. "Mad Magazine Lists". Archived from the original on March 12, 2016. Retrieved July 31, 2016.CS1 maint: extra text: authors list (link)(Circulation figures, contributor index)Gilford, Doug, ed. "Mad Magazine Contributors". MadCoverSite.com. Archived from the original on October 24, 2016. Retrieved July 31, 2016.CS1 maint: extra text: authors list (link)(Contributor inde...Meek, James Gordon (Summer 2002). "Mad at the FBI". Atomic. Archived from the original on March 3, 2016. Retrieved July 31, 2016.
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Mad Movies with the L.A. Connection is a 1985 syndicated television show produced by the comedy troupe the L.A. Connection. Every episode is a spoof of a classic movie where the video is the original (although edited to fit the show’s half-hour format) but all the dialogue is overdubbed with humorous dialogue written and voiced by the L.A. Connection, in a manner similar to Woody Allen’s ...
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