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Feb 11, 2016 · The Fillmore East actually closed in the beginning of the 70s, operating from 1968-1971. It was located at 105 Second Avenue and operated by Bill Graham, who ran San Francisco’s Fillmore West ...
- Derek Scancarelli
Clubs like Studio 54, Hurrah and Ice Palace 57 dominated the scene of the late ’60s and through the ’70s, when self-exploration was welcome under the fragmented light of a disco ball. Bell ...
May 1, 2013 · From the hardcore scene, to the emergence of punk rock, indie rock, shoegaze, folk-rock and so much more, New York bands are marked by their intermingled members, local influences and...
- Harmonicait
- Buzzfeed Staff
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Nov 10, 2014 · Monday November 10 2014. There’s no use arguing that New York is the nightlife capital of the world—that title wandered east, to London and then Berlin, years ago. But through the ages, we ...
- KISS – Destroyer (1976) The rock album Destroyer by KISS perfectly conveys the grimy feel of the streets of New York. With tracks like “Shout it Out Loud” and “God of Thunder,” the album rocks to the beat of ’70s intensity, making it a defining sound of the time.
- Television – Marquee Moon (1977) Television’s album Marquee Moon breaks away from punk conventions, offering a unique post-punk sound. Led by Tom Verlaine, the band’s music mirrors the vibrant East Village scene, creating a sonic snapshot of ’70s NYC.
- Billy Joel – 52nd Street (1978) Billy Joel’s album 52nd Street paints a musical picture of New York City’s diversity and depth. Tracks like “Big Shot” and “Honesty” delve into mature themes, giving a glimpse into the city’s complex emotions during that time.
- The Ramones – Rocket To Russia (1977) With humor and eclecticism, Rocket To Russia takes punk to new places, reflecting NYC’s dynamic and evolving music scene.
May 4, 2011 · The Ramones. It's easy to make a whole album out of Ramones songs about New York City, but the one that most captures the hustle and flow of the streets in the '70s is '53rd & 3rd' off the band's ...
Dec 20, 2023 · August 1977. A home for 'weirdos playing their own music' In the early ‘70s, CBGB was the only New York venue ready to give new bands somewhere to play. “Everybody was desperate,” Bayley...
