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  1. Jun 19, 2019 · But the gathering consensus is that Cahun choreographed and posed for the photos, and that her romantic partner, Marcel Moore, who was born Suzanne Malherbe, often pressed the button. It was...

  2. en.wikipedia.org › wiki › Marcel_MooreMarcel Moore - Wikipedia

    Moore died by suicide in 1972. She was buried alongside her partner Cahun in St Brelade's Church. Legacy. In 2018, a street of Paris, close to the rue Notre-Dame-des-Champs where Marcel and Claude lived, took the name of "allée Claude Cahun–Marcel Moore" in the 6th district of the French capital.

    • Illustrator, designer, and photographer
    • 19 February 1972 (aged 79), Jersey
    • Suzanne Alberte Malherbe, 19 July 1892, Nantes, France
    • Surrealism
  3. 1 of 11. Claude Cahun. Summary of Claude Cahun. Claude Cahun's photographic self-portraits present a dizzying kaleidoscopic mix of mystery, exuberance, and sobriety. Born in France, Cahun lived mostly on the island of Jersey with long-term love, Marcel Moore.

    • French
    • October 25, 1894
    • Nantes, France
    • December 8, 1954
  4. Jun 15, 2017 · Her longtime lover, stepsister, and muse Marcel Moore (a pseudonym), was the subject of much of Cahun’s work. Together, they were known as eccentrics — their androgynous clothing, relationship, and even the alliteration of their gender-ambiguous names challenged elevated male and female stereotypes of the era.

    • Reaktion Books
    • 1
  5. Jul 6, 2023 · “Isn’t that what we’re all doing now with cellphone photos?” David Bowie, also known for his gender fluidity, spoke of a 2007 Claude Cahun photography show on his own blog, writing, “I find this work really quite mad, in the nicest way.” Marcel Moore tragically died by suicide in 1972.

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  6. Jan 31, 2023 · Claud and Marcel “had a suicide plan and carried barbiturates. After three years they were caught and sentenced to death. Twice, they tried to kill themselves but underdosed.

  7. Dec 9, 2015 · Marcel committed suicide in 1972. * Once you’ve seen a photograph come to life, can you ever again see it as a still moment? Charlie Piper tells me that he thought of the ensemble “as one unit, one machine” and wanted “to find a homogenous sound world.” Claude described Marcel as “l’autre moi.” Suzanne and Lucie, Marcel and Claude.

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