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  1. en.wikipedia.org › wiki › Mark_KorvenMark Korven - Wikipedia

    Mark Korven is a Canadian musician and composer for film and television. [1] Life and career. During his early career in Winnipeg, Korven performed in a variety of rock and jazz music ensembles, mostly playing the guitar and singing in local bars. [2] .

  2. The Lighthouse (Original Motion Picture Soundtrack) is the soundtrack to the 2019 film of the same name directed by Robert Eggers, starring Robert Pattinson and Willem Dafoe. The original score is composed by Canadian composer Mark Korven, whom had previously collaborated with Eggers on his debut film The Witch (2015).

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    • October 18, 2019
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  4. The Swerve is a 2018 American horror-drama film written and directed by Dean Kapsalis. It delves into the complexities of mental illness through the life of Holly, played by Azura Skye. As a high school teacher in a quiet town, Holly grapples with personal challenges, including a strained marriage and haunting memories.

    • Daryl Pittman
    • Tommy Minnix
    • Dean Kapsalis
    • Dean Kapsalis
  5. Nov 25, 2019 · A dark lord of musical transmogrification, Mark concocts resounding spatial enigmas that heighten the senses. In 2016, he conjured The Apprehension Engine, a bespoke disquieting instrument fashioned by Tony Duggan-Smith, designed to evoke maximum dread.

  6. Apr 13, 2024 · In this nterview with 1428 Elm, Korven delves into the eerie realm of composing for the macabre, offering insights into his creative process and the haunting score of the critically approved The...

  7. Mark Korven is a Toronto based composer for film and television. He is best known for his work on the 2015 period Horror film THE WITCH, which won the best director award at Sundance for director Robert Eggers. He also scored Egger’s follow up THE LIGHTHOUSE starring Willem Dafoe and Robert Pattinson which won the Critics Prize at the Cannes ...

  8. A singer/songwriter who settled into a career as a film and TV composer during the 1990s, Mark Korven is most closely associated with his ominous, part-electronic orchestral scores for the horror, sci-fi, and thriller genres.

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