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Masculin Féminin ( French: Masculin féminin: 15 faits précis, pronounced [maskylɛ̃ feminɛ̃ kɛ̃z fe pʁesi], " Masculine Feminine: 15 Specific Events") is a 1966 French New Wave [2] [3] film directed by Jean-Luc Godard. An international co-production between France and Sweden, the film stars Jean-Pierre Léaud, Chantal Goya, Marlène ...
- Jean-Luc Godard
- Anatole Dauman
Mar 14, 2022 · With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another. French New Wave icon Jean-Pierre Léaud stars as Paul, an idealistic would-be intellectual ...
- Mar 14, 2022
- 24.6K
- slojinksi
Masculine Feminine: Directed by Jean-Luc Godard. With Jean-Pierre Léaud, Chantal Goya, Marlène Jobert, Michel Debord. A romance between young Parisians, shown through a series of vignettes.
- Jean-Luc Godard
- 47
- 2 min
Masculine Feminine. The curious thing about Jean-Luc Godard's recent films is that (like good chili) they seem better the next day. This is particularly true of "Masculine Feminine," which I like a great deal more at this instant then I did at any time while I was watching it. The film is made out of 15 scenes of varying lengths, each one ...
A '60s time capsule stuffed with ideas about politics, pop culture, and the battle of the sexes, Masculine-Feminine is one of Godard's classic black-and-white films. Paul (Jean-Pierre Léaud), a ...
- (381)
- Chantal Goya
- Jean-Luc Godard
- Romance
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With Masculin féminin, ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another. French New Wave icon Jean-Pierre Léaud stars as Paul, an idealistic would-be intellectual struggling to forge a relationship with the adorable pop ...
Sep 19, 2005 · Masculin féminin also existed entirely in my head—as a perfectly imaginary object, a little like the ideal movie that Paul (Léaud) himself “secretly wanted to live”—thanks to the fact that my only access to it at the time was through a gorgeous fetish object published by America’s Grove Press, in 1969, a transcription of the film accompanied by many luminous frame reproductions.