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  1. en.wikipedia.org › wiki › May_(film)May (film) - Wikipedia

    May is a 2002 American psychological horror film written and directed by Lucky McKee [3] [4] in his directorial debut. Starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval, the film follows a lonely young woman (Bettis) traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.

    • Lucky McKee

      May (2002) The Woods (2006) Red (2008, directed part of the...

    • Angela Bettis

      Angela Marie Bettis (born January 9, 1973) is an American...

    • May December

      May December was released in select theaters in the United...

  2. www.rottentomatoes.com › m › mayMay | Rotten Tomatoes

    Feb 7, 2003 · Young misfit May (Angela Bettis) endured a difficult childhood because of her lazy eye. And though contact lenses have helped May adjust as a young adult, her deep-seated awkwardness remains a...

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    • Lucky Mckee
    • R
    • Angela Bettis
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  4. Set in picturesque and comfortable Savannah, Georgia, May December is an exploration of truth, storytelling, and the difficulties (or impossibility) of fully understanding another person.

    • (457)
    • Todd Haynes
    • R
    • Natalie Portman
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  5. Dec 1, 2023 · With Natalie Portman, Chris Tenzis, Charles Melton, Julianne Moore. Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under pressure when an actress arrives to do research for a film about their past.

    • (904)
    • Drama
    • Todd Haynes
    • 2023-12-01
  6. Lucky McKee’s directorial debut May is a psychological horror/thriller film released in 2002 starring Angela Bettis, Jeremy Sisto, Anna Faris, and James Duval. Combining the elements and conventions of horror and slasher, it is an oddly moving, distinctive, and discomforting film about the desperate need and desire for human touch and belonging.

  7. Jun 6, 2003 · "May" is a horror film and something more and deeper, something disturbing and oddly moving. It begins as the story of a strange young woman, it goes for laughs and gets them, it functions as a black comedy, but then it glides past the comedy and slides slowly down into a portrait of madness and sadness.

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