December 31, 2019 Mean Streets is a movie so rich in content, so teaming with talent both in front of and behind the camera, that the temptation is to go on and on about it. A better idea would be ...
Teresa (Amy Robinson) is the girlfriend his family deems unsuitable because of her epilepsy. Johnny Boy (Robert De Niro) is a small-time gambler in big-time debt to loan sharks. This is a story Martin Scorsese lived, a semi-biographical tale of the first-generation sons. Charlie (Harvey Keitel) is working his way up the ranks of a local mob.
- Martin Scorsese
- Amy Robinson
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This early Scorsese film is now considered a classic, and fans of his, and of gangster films in general, will definitely want to see the work that shows a master really coming into his own. But Mean Streets is absolutely not for kids. Scorsese trademarks like shocking violence, tons of profanity, and adult sexual situations are well represented here.
- Andrea Beach
Jan 01, 2015 · Read the Empire Movie review of Mean Streets. Terrific. Top shelf talent at the top of their game, working immediately before they would change...
- Simon Braund
Jul 09, 2019 · Mean Streets is, among other things, the movie that brought the word “mook” into the popular urban lexicon, and the characters it portrays have mookish qualities that seem far more pronounced ...
Oct 09, 2019 · Mean Streets pushes past that good PR to reveal that the Mafia had no golden age. It always was driven by cruel, thuggish men with short fuses, and aided and abetted by selfish, weak men who refused to stop what they knew was wrong. In the cosmology of Streets, Charlie (Scorsese’s first muse Harvey Keitel) represents the latter. Preoccupied with salvation and damnation, Charlie wants to make everyone happy and that includes God and the Devil.
May 10, 2019 · Streaming Movie Review ‘Shéhérazade’ Review: Love in the Mean Streets of Marseille. Kenza Fortas and Dylan Robert in “Shéhérazade,” the impressive first feature from Jean-Bernard Marlin.
Jan 11, 2018 · Martin Scorsese’s Mean Streets is a true original of our period, a triumph of personal filmmaking. It has its own hallucinatory look; the characters live in the darkness of bars, with lighting and color just this side of lurid. It has its own unsettling, episodic rhythm and a high-charged emotional range that is dizzyingly sensual. by Pauline Kael.
Jul 09, 2019 · Jul 9, 2019 12:15am PT Karlovy Vary Film Review: ‘The Bull’ Poor English subtitling and some rote plotting mar an otherwise solid, well-performed, well-shot gangster flick set in 1990s Moscow.
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