- Summary Directed by Fritz Lang and his wife, Thea von Harbou, "Metropolis" takes place in the year 2000 in the mythical setting of Metropolis. This German story is a utopic vision of a Marxist society that goes too far.
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Metropolis Summary. Buy Study Guide. In a dystopian vision of the future, the bustling city of Metropolis is structured in a way that the working classes live and work beneath the ground, while the upper classes live in high rises that stretch into the sky. Metropolis is governed by Joh Fredersen, a businessman and ruler who has no interest in listening to the needs of the working class, and cares only about keeping his city running as usual.
Fritz Lang's future is an art deco one, where bloomers and flapper haircuts converge with spacey sky-high gardens. Complicating life in this hierarchical city is the fact that the son of the leader of Metropolis has ambivalence about how it is being run.
In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences. Sometime in the future, the city of Metropolis is home to a Utopian society where its wealthy residents live a carefree life.
Metropolis features a range of elaborate special effects and set designs, ranging from a huge gothic cathedral to a futuristic cityscape. In an interview, Fritz Lang reported that "the film was born from my first sight of the skyscrapers in New York in October 1924".
Metropolis is Thea von Harbou’s novelization of the scenario for the 1926 film Metropolis, directed by Fritz Lang. Although the story has its origins in Lang’s vision of the city of the future and...
Summary. Directed by Fritz Lang and his wife, Thea von Harbou, "Metropolis" takes place in the year 2000 in the mythical setting of Metropolis. This German story is a utopic vision of a Marxist society that goes too far. The protagonist, Jon Frederson (John Masterman in the English version) and his son Freder Frederson are members of the wealthy class, living high above the proletariat of yeoman workers who are crowded together in the urban squalor of Metropolis.
Summary: In the year 2000, moving images of machinery, flywheels, crank shafts, pistons, a 24-hour clock, and a base-10 clock precede footage of the faceless masses trudging en masse and mechanically, like one big pulsing machine, to their 10-hour shift at the machines that run the city above, while the day shift trudges back down to the workers' city on elevators that look like cages. Their ears stick out but their uniformed bodies are the same front and back essentially.
In Lang's version of the future, men have built a glittering city, but it is built upon a subterranean factory and city of workers. The workers become part of the dehumanized technology of the...
Slim, Curley, Carlson, and Whit return. Curley apologizes to Slim for his suspicions, and then the other men mock him. Knowing that Slim is too strong to be beaten in a fight, Curley looks to vent his rage elsewhere. He finds an easy target in Lennie, who is still dreaming of the farm and smiling with childlike delight.
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