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  1. Metropolis: Directed by Fritz Lang. With Alfred Abel, Gustav Fröhlich, Rudolf Klein-Rogge, Fritz Rasp. In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working-class prophet who predicts the coming of a savior to mediate their differences.

  2. File:Metropolis1927-logo.svg. Size of this PNG preview of this SVG file: 228 × 108 pixels. Other resolutions: 320 × 152 pixels | 640 × 303 pixels | 1,024 × 485 pixels | 1,280 × 606 pixels | 2,560 × 1,213 pixels. Original file ‎ (SVG file, nominally 228 × 108 pixels, file size: 3 KB) Wikimedia Commons Commons is a freely licensed media ...

  3. METROPOLIS - Film (Movie) Plot and Review. Germany, 1927. Director: Fritz Lang. Production: Universum-Film-Aktiengesellschaft (Ufa) studios; black and white, 35mm, silent; running time: about 2 hours originally, no complete master copy now exists but the Staatliches Archiv in East Berlin has compiled a new copy from all remaining footage ...

  4. When it came out in 1927, Fritz Lang’s Metrop­o­lis showed audi­ences the kind of whol­ly invent­ed real­i­ty, hith­er­to beyond imag­i­na­tion, that could be real­ized in motion pic­tures. Its vision of a soci­ety bisect­ed into colos­sal sky­scrap­ers and under­ground war­rens, an indus­tri­al Art Deco dystopia, con ...

  5. 프리츠 랑Fritz Lang. 프리드리히 크리스티안 안톤 "프리츠" 랑 (Friedrich Christian Anton "Fritz" Lang, 1890년 12월 5일 ~ 1976년 8월 2일 )은 오스트리아 - 독일 - 미국 의 영화 감독, 영화 각본가, 영화 제작자이며, 독일 표현주의 예술가이다. 가장 중요한 그의 작품은, 그가 ...

  6. The Indian Tomb (German: Das indische Grabmal) is a 1959 adventure film, co-written and directed by Fritz Lang. Produced by Artur Brauner, it is an international co-production of West Germany, France and Italy. It is the second film, after The Tiger of Eschnapur (1959), that comprise "Fritz Lang's Indian Epic" duology, which are based on the ...

  7. May 21, 2020 · 4 minutes. The icon indicates free access to the linked research on JSTOR. Fritz Lang arrived at his meeting with Joseph Goebbels nervous and well-dressed. As he made his way to the appropriate office in the Ministry of Propaganda, uniformed guards asked him for his papers at every turn. They were bigger than him, and they had guns.