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  1. Warner Bros. Records. Michael Hoenig (born 4 January 1952) is a German composer who has composed music for several films and games, in addition to two solo albums, including the highly acclaimed 1978 album Departure from the Northern Wasteland. In 1997, he was nominated for a Primetime Emmy Award for Outstanding Main Title Theme Music for ...

  2. Aug 3, 2023 · HOENIG--Michael. The attorneys and staff of Herzfeld & Rubin, P.C. mourn the loss of our esteemed colleague and friend Michael Hoenig. Our hearts go out to his wife, Alisa, and to his entire ...

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  4. Oct 30, 1997 · Death 30 Oct 1997 (aged 32) ... Records on Ancestry. California, U.S., Death Index, 1940-1997 ... Which memorial do you think is a duplicate of Michael Lee Hoenig ...

  5. Departure from the Northern Wasteland is the debut studio album of electronic music composer Michael Hoenig, released in 1978 by Warner Bros. Records. Track listing [ edit ] All music is composed by Michael Hoenig except for "Sun & Moon" by Michael Hoenig & Mickie D aka Michael Duwe

    • Michael Hoenig
    • 1978
  6. Michael Hoenig. More images. Profile: German musician and composer, born on 4 January 1952 in Hamburg, currently residing on the island of Ibiza, after living in Los Angeles (USA) for a long time. Apart from a few solo albums Michael is far better known for his film music and, for some fans, also for the music for the popular Baldur's Gate PC ...

  7. Im Sommer 1980 übersiedelte Michael Hoenig in die USA und arbeitete in der Folge an verschiedenen Filmmusikprojekten mit. So war er u. a. musikalischer Direktor bei dem Godfrey Reggio Klassiker Koyaanisqatsi und ergänzte die dazugehörende Filmmusik von Philip Glass. 1987 veröffentlichte Hoenig das Album Xcept One, welches er größtenteils ...

  8. Feb 4, 2010 · Michael Hoenig biography Michael Hoenig is a German synth/electronic composer who started his career in the "cosmic" krautrock classic Agitation Free. He joined the band in 1971 thanks to Michael Gunter. Hoenig notably provided the electronic treatments, spacey and hypnosis synth sounds on "Malesch" (1972) and "second" (1973).

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