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The complete footage was never retrieved. These films were neorealist in style, semi-documentary studies of the lives of working class people. However, Antonioni's first full-length feature film Cronaca di un amore (1950) broke away from neorealism by depicting the middle classes.
- 1942–2004
- Monica Vitti (1960–1970)
Mar 19, 2024 · Michelangelo Antonioni, Italian film director, cinematographer, and producer noted for his avoidance of realistic narrative in favor of character study and a vaguely metaphorical series of incidents. His major films included Le amiche (1955), L’avventura (1960), L’eclisse (1962), and Blow-Up (1966).
May 21, 2002 · The films of Michelangelo Antonioni are aesthetically complex – critically stimulating though elusive in meaning. They are ambiguous works that pose difficult questions and resist simple conclusions. Classical narrative causalities are dissolved in favour of expressive abstraction.
1 day ago · Michelangelo Antonioni: Italian neorealism’s revolutionary artist. Arising from one of the most personal and intimate cinematic uprisings, Michelangelo Antonioni became one of the few pioneers of post-war Italian neorealism to reach beyond the borders of the movement and thrive across the globe. A film journalist long before his triumphs ...
Together with Fellini, Bergman and Kurosawa, Michelangelo Antonioni is credited with defining the modern art film. And yet Antonioni's cinema is also recognized today for defying any easy categorization, with his films ultimately seeming to belong to their own distinctive genre.
- January 1, 1
- Ferrara, Emilia-Romagna, Italy
- January 1, 1
- Rome, Lazio, Italy
Jan 16, 2019 · L'avventura (1960) “The theme of most of my films is loneliness,” Michelangelo Antonioni declared in a 1969 interview. “Often my characters are isolated. They are individuals looking for social institutions that will support them, for personal relationships that will absorb them. But most often they find little to sustain them.
Michelangelo Antonioni’s 1966 film Blow-Up is a masterfully constructed and paced exploration of the enigmas that challenge our interpretations of both the moving and the still image. Photography plays a key role at the very core of the film, providing the metaphorical site for the directors questioning of the relationship between reality and ...
