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  1. Middle Chinese (formerly known as Ancient Chinese) or the Qieyun system (QYS) is the historical variety of Chinese recorded in the Qieyun, a rime dictionary first published in 601 and followed by several revised and expanded editions.

  2. The four tones of Chinese poetry and dialectology (simplified Chinese: 四声; traditional Chinese: 四聲; pinyin: sìshēng) are four traditional tone classes of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese , both in traditional Chinese and in ...

    Major Group
    Subgroup
    Local Variety
    Early Middle Chinese Tone Class ...(꜀平 Level ꜀①꜁②)
    ① ˥ 55
    ① ˦ 44
    ① ˦ 44
    ① ˧ 33
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  4. The Lexicon complements Pulleyblank's earlier book, Middle Chinese, by providing reconstructed pronunciation for approximately 8,000 Chinese characters at three historical stages. Early Middle Chinese is the language of the Qieyun rhyme dictionary of AD 601, which codified the standard literary language of both North and South China the ...

  5. ABC Etymological Dictionary of Old Chinese: Qièyùn rhyme. Division ( 等 1-4 ) Pīnyīn. Old Chinese (OC) Pinyin + Schuessler ID. Guǎngyùn rhyme. Kāi kǒu / Hékǒu. Pin1yin1. Middle Chinese (MC) Middle Chinese / Qièyùn (Schuessler IPA) Guǎngyùn tone. Qièyùn division. MC Initial. Gloss. Late Han (Schuessler IPA) Guǎngyùn fanqie ...

  6. the Middle Chinese phonological system (“Ancient Chinese” in Karlgren’s terminology) represented in the Qièyùn rhyme dictionary of 601 CE (and other contemporary sources), which was assumed to be descended from Old Chinese; the rhymes of the Shījīng and (in principle) other pre-Qín texts, and.

  7. The Karlgren–Li reconstruction of Middle Chinese was a representation of the sounds of Middle Chinese devised by Bernhard Karlgren and revised by Li Fang-Kuei in 1971, remedying a number of minor defects. Sources for Middle Chinese.

  8. The use of models drawn from Mon-Khmer voice type register languages made it possible to reconstruct the phonetic bases of the four divisions. Div. I consists of tense rimes, Div. II consists of tense, velarized rimes resulting from medial -r-, Div. III consists of lax/breathy rimes.

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