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1.1 What is a Background Character? 1.2 What is a Minor Character? 1.3 What is a Supporting Character? 2 What’s the Point of Making Minor Characters Interesting? 3 Give Minor Characters a Reason to Exist. 4 Give Minor Characters a Life Outside the Story. 5 Don’t Go Overboard. 6 Help your Readers Remember Absent Minor Characters.
Jan 12, 2024 · A literary character is a character who plays a role in a story’s narrative. Although they can be based on real people, characters are fictional (and sometimes fictionalized) figures created specifically for storytelling. Character (pronounced keh-ruhk-tr) is one of the five elements that can be found in every story. The other four are: Plot.
Apr 6, 2017 · “Minor Characters” is, in its quiet but deliberate way, among the great American literary memoirs of the past century. Johnson’s book takes its title from her realization that — as was so...
Minor characters can take many forms. Overt or subtle, in the shadows or the foreground, an individual or a representation of an idea – endless opportunities exist to create compelling secondary characters. Honing your ability to make minor characters matter can truly elevate your story.
Minor characters are the ones that are there solely to serve your plot. They aren’t developed in any way. Your reader should never care about them or wonder what happened (or will happen) to them. They’re there for a short and specific reason. Remember though, minor characters still need a purpose, don’t write them just because you can.
Jan 1, 2001 · 2,727 ratings217 reviews. Jack Kerouac. Allen Ginsberg. William S. Burroughs. LeRoi Jones. Theirs are the names primarily associated with the Beat Generation. But what about Joyce Johnson (nee Glassman), Edie Parker, Elise Cowen, Diane Di Prima, and dozens of others?
About Minor Characters. Named one of the 50 best memoirs of the past 50 years byThe New York TimesWinner of the National Book Critics Circle Award“Among the great American literary memoirs of the past century . . . a riveting portrait of an era . . .
