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Led Zeppelin, Jimi Hendrix, The Rolling Stones and many rock bands were influenced by both the acoustic and electric blues styles. Today the modern blues experience is entirely independent from the color of its performers’ skin. Due to the influence of pop, rock and folk, the blues’ sound has become less clunky and more flowing, seen in the ...
- Keb’ Mo’
- Seasick Steve
- Jimbo Mathus
- Taj Mahal
- Kelly Joe Phelps
- Corey Harris
- Cephas & Wiggins
- Ted Hawkins
- Chris Smither
- Preacher Boy
Guitarist/vocalist Keb’ Mo’ draws heavily on the old-fashioned country blues style of Robert Johnson while keeping his sound contemporary with touches of soul and folksy storytelling. A skilled frontman as well as an accomplished sideman, he writes much of his own material and has applied his acoustic, electric, and slide guitar skills to jazz- and...
Steven Gene Wold, commonly known as Seasick Steve, is an American blues musician. He plays mostly personalized guitars and sings, usually about his early life doing casual work. Like T-Model Ford, Seasick Steve began recording his own music much later in life than other musicians. In the 1960s, Wold started touring and performing with fellow blues ...
Jim “Jimbo” Mathus first gained fame as the co-founder of the retro-swing outfit the Squirrel Nut Zippers. But after the group’s messy breakup, he went on to a prolific career as a guitarist, songwriter, and producer, defining his own brand of revved-up blues and roots music. Using a variety of stage names, including James Mathus, Jas Mathus, Jimbo...
Henry Saint Clair Fredericks (born May 17, 1942), who uses the stage name Taj Mahal, is an American blues musician. He often incorporates elements of world music into his works. A self-taught singer-songwriter and film composer who plays the guitar, piano, banjo and harmonica (among many other instruments), Mahal has done much to reshape the defini...
Vancouver, Washington-based guitarist, singer, and songwriter Kelly Joe Phelps continues to expand the parameters of modern blues through his strong commitment to literary songs and his expressive yet simple guitar stylings. While casual listeners may call Phelps a bluesman, his playing is so fluid, dexterous, and improvised he obviously has the so...
Corey Harris has earned substantial critical acclaim as one of the few contemporary bluesmen able to channel the raw, direct emotion of acoustic Delta blues without coming off as an authenticity-obsessed historian. Although he is well versed in the early history of blues guitar, he’s no well-mannered preservationist, mixing a considerable variety o...
The duo of acoustic guitarist John Cephas and harpist Phil Wiggins enjoyed a partnership spanning several decades, during which time they emerged among contemporary music’s most visible exponents of the Piedmont blues tradition. Their music, rooted in the rural African-American dance music of Virginia and North Carolina, showed the influence of Bli...
Overseas, he was a genuine hero, performing for thousands. But on his L.A. home turf, sand-blown Venice Beach served as Ted Hawkins’ makeshift stage. He’d deliver his magnificent melange of soul, blues, folk, gospel, and a touch of country all by his lonesome, with only an acoustic guitar for company. Passersby would pause to marvel at Hawkins’ mel...
William Christopher Smither is an American folk/blues singer, guitarist, and songwriter. His music draws deeply from the blues, American folk music, and modern poets and philosophers. By 1969, after living in several places around Cambridge, Smither moved to Garfield Street in Cambridge and often visited Dick Waterman’s house where Fred McDowell, S...
Christopher Watkins, a twenty-something rocker from the San Francisco Bay area, is turning a whole new generation of teenage and twenty-something alternative rock fans on to the eternal hipness of the blues. Watkins, who uses the stage name Preacher Boy, is backed on his club shows around the Bay area and other parts of the West Coast by his band N...
Great blues radio, classic and modern, acoustic and electric, all commercial-free today -- we're celebrating the birthday of the legendary John Lee Hooker. Classic Blues The greats of the post-war to late-'70s era: Muddy, B.B., Buddy, and the Wolf
An outgrowth of the folk music boom and original blues revival of the mid-'60s, its emotional makeup can encompass everything from provincialism to intense personal statements. While clearly honoring traditional forms, the style also has room for original material, providing a forum for new ideas as well as extending the genre's musical ...
