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  1. www.tate.org.uk › art › art-termsModernism | Tate

    Modernism refers to a global movement in society and culture that from the early decades of the twentieth century sought a new alignment with the experience and values of modern industrial life. Building on late nineteenth-century precedents, artists around the world used new imagery, materials and techniques to create artworks that they felt ...

  2. Many English-language artists, including poets, thought a new approach was needed to capture and comment on this new era, requiring innovation in their own work: the result was called Modernism, the largest, most significant movement of the early 20th century.

  3. www.vam.ac.uk › articles › what-was-modernismWhat was Modernism? · V&A

    At the core of Modernism lay the idea that the world had to be fundamentally rethought. The carnage of the First World War and the Russian Revolution led to widespread utopian fervour, a belief that the human condition could be healed by new approaches to art and design.

  4. May 12, 2014 · The modernist tactic of flattening perspective and techniques for rendering realistic representations are formal innovations that appear to make art more simplified and less skillful. Modernism...

  5. Modernism, here limited to aesthetic modernism (see also modernity), describes a series of sometimes radical movements in art, architecture, photography, music, literature, and the applied arts which emerged in the three decades before 1914.

  6. English literature - Modernism, Poetry, Novels: From 1908 to 1914 there was a remarkably productive period of innovation and experiment as novelists and poets undertook, in anthologies and magazines, to challenge the literary conventions not just of the recent past but of the entire post-Romantic era.

  7. Modernism - Avant-Garde, Abstraction, Cubism: In the visual arts the roots of Modernism are often traced back to painter Édouard Manet, who, beginning in the 1860s, not only depicted scenes of modern life but also broke with tradition when he made no attempt to mimic the real world by way of perspective and modeling.

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