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  1. Oct 14, 2023 · Published on June 19, 2020 / Updated on October 14, 2023. Email: tomgurney1@gmail.com / Phone: +44 7429 011000. Maria Christina was the Archduchess of Austria and she became the subject of this funeral monument by Antonio Canova which was to be placed in the Augustinian Church in Vienna, Austria. It is the triangular shape which is the most ...

  2. May 10, 2023 · A highlight of Canova’s oeuvre is the tomb for Maria Christina, Archduchess of Austria, in the Augustinian Church in Vienna, made between 1789 and 1805. This highly original monument consists of a tomb with an open portal through which enters a cortege of life-sized sculpted figures.

  3. Monument to Archduchess Maria Christina of Austria. In 1798, when Canova was traveling in Austria after leaving behind his Roman studio, Duke Albert of Saxony-Teschen commissioned the sculptor to create a memorial in the Church of Saint Augustine in Vienna for his wife, Archduchess Maria Christina of Austria, who had just died.

    • Italian
    • November 1, 1757
    • Possagno, Veneto, Italy
    • October 13, 1822
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  5. In August 1798, Duke Albert von Sachsen-Teschen commissioned a monument to honor his wife, Archduchess Maria Cristina of Austria, who died a few months earlier. The great novelty of the...

  6. That same day Maria Christina renounced her succession rights to the Austrian throne before the Emperor and the court according to the tradition imposed to the archduchesses who were to marry a foreign prince. Another marriage agreement was signed in Madrid on 28 November by the King and Maria Christina themselves.

  7. Dec 20, 2023 · Cenotaph of Archduchess Maria Christina, Duchess of Teschen 9.jpg 3,786 × 2,524; 1.12 MB. Cenotaph of Archduchess Maria Christina, Duchess of Teschen.jpg 3,872 × 2,592; 1.56 MB. Cenotaph of Marie Christine of Austria 1.jpg 394 × 387; 87 KB. Cenotaph of Marie Christine of Austria 2.jpg 286 × 167; 32 KB.

  8. In Antonio Canova, marchese d’Ischia. …on a funerary monument to Maria Christina (1798–1805) in the Augustinerkirche. In 1802, at the Pope’s instigation, he accepted Napoleon’s invitation to go to Paris, where he became court sculptor and considerably influenced French art.

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