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Our filmmaking process begins in Development, where our storytellers begin to craft the narrative, and our artists define the look of the characters and worlds.
- Stage 1: Planning and Scriptwriting
- Stage 2: Storyboard
- Stage 3: Layouts
- Stage 4: Revisions
- Stage 5: Key Animation
- Stage 6: In-Between Animation
- Stage 7: Finishing Touches, Special Effects, and Backgrounds
- Stage 8: Photography and Initial Editing
- Stage 9: Dialogue, Sound Effects, and Musical Score
- Stage 10: The Final Product
The process begins with a planning meeting between the episode’s main production staff, which includes the episode’s writer, director, and the series’ producers. Together they work out the episode’s main details based on the overall plot of the series set by the series composer and director. During the meeting it is established how much of the sour...
Based on the final script, the episode director creates a storyboard, which is a rough set of sketches detailing the entire episode — essentially a visual script. The standard practice at Toei Animation is to have the episode director draw the episode’s storyboard themselves, which is often why the storyboard credit is typically not listed on Toei ...
With the storyboard completed, the director assigns the storyboard’s cuts to individual key animators. On occasion a specific storyboard sequence will have been drawn with a particular animator in mind, and this may be the only cut they are assigned, but typically a key animator will be assigned a sequence of cuts. The majority of the cuts will be ...
After the episode director reviews the layouts for inconsistencies and content, they are sent to the animation supervisor to review the artistic attributes. The animation supervisor is responsible for overseeing all aspects of key animation, including the layouts. If a layout is too poorly drawn, or strays from the character design, the animation s...
With their layouts approved, the key animators begin drawing the episode’s key frames, which is arguably the most important stage in the animation process, as these are the frames that will ultimately create each scene. The key artwork is highly detailed and indicative of how the eventual animation cel should look, complete with details on coloring...
After the key animation drawings have been checked and approved, they are sent to the in-between animation artists to begin drawing the frames missing in-between the key animation frames. This is done based on the timing sheet created by the key animator, which indicates how many in-between frames will be needed to get from one key frame to the nex...
The completed animation is then sent to the finishing department, where a replica of each drawing is painted onto a clear celluloid (cel) sheet by a finishing touches artist. Using a backlit animation desk, a blank cel is placed over top of the artwork and the black outlining is traced onto the cel. This tracing was done by hand for Dragon Ball and...
When a cut of animation is completed, its cels and all of their corresponding reference materials are packaged together and sent to the photographer. Each scene is accompanied by a timing sheet, as updated by the in-between animator, which lists all of the animation cels that make up the specific cut and instructs the photographer how to photograph...
Toei Animation uses a voice-over process known as “After Recording” (アフレコ), meaning that the dialogue is recorded after the animation is completed, or in some cases when pressed for time because the animation is behind schedule, while it is actually still in production. The after recording process allows for faster animation production, as the anim...
While the 16mm film master and cine tape serve as the original archival prints, they are not actually the final products used for its broadcast or home video distribution. A copy of the 16mm film master is created, which is re-framed and slightly zoomed in to capture a smaller amount of image. By re-framing the film once again, the likelihood of un...
May 19, 2020 · In this post, we have broken down animated movie creation into simple steps so you can get an idea of everything that needs to happen to bring a masterpiece to life. Pre-production This is the phase where you refine your main idea.
Sep 12, 2021 · How to direct an animated movie. 1. Workshop the story. The foundation for any film, not just animation, is the story. The story is the heart and soul of a film and determines every choice a director makes. Directors are the purveyors of the story.
Sep 3, 2023 · Pre-production is the initial phase of producing an animated movie before actual animation begins. In this phase, the filmmakers prepare and develop the story from scratch. They create characters, environments, and worlds that will form the foundation of the animation movie.
Jun 9, 2010 · The production pipeline of a typical animated short or a movie can be divided into three stages : pre-production, production and post-production. In this article we will be discussing these three key stages in detail. Pre-Production. The first process in the animation pipeline, and also one of the most important, is pre-production.
Jul 16, 2018 · In this article, you can take a stroll through various stages of animation process engaged with the creation of an animation explainer video.
