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  1. The projector also plays the movie’s sound track. The sound track contains all of the sounds of the movie, including talking, music, and sound effects. The sound track is a thin band that runs along the edge of the film, next to the pictures. Movie theaters receive reels of film that contain a movie’s pictures and sound track.

  2. The meaning of movie. Definition of movie. Best online English dictionaries for children, with kid-friendly definitions, integrated thesaurus for kids, images, and animations.

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  4. A children's film, or family film, is a film genre that generally relates to children in the context of home and family. Children's films are made specifically for children and not necessarily for a general audience, while family films are made for a wider appeal with a general audience in mind. [1] [2] Children's films come in several major ...

  5. Oct 16, 2023 · Emotion (feelings) are a big part of the movie and the audience (people watching the movie) may get upset and even cry. Film noir movies are 1940s-era detective dramas about crime and violence. Family movies are made to be good for the entire family. They are mainly made for children but often entertaining for adults as well.

  6. Children's Films. Children's films may be divided into two categories: those made expressly for a child audience, and those made about children regardless of audience. This distinction is important, as many of the most popular films that feature child actors, like The Exorcist (1973) and The Sixth Sense (1999), are clearly not meant to be seen ...

  7. Sep 26, 2023 · 1. Stories can fuel social intelligence. While watching, children made sense of the feelings, motives, and behaviors of characters in the film, using their social intelligence skills. They also further developed these skills when they were challenged in making sense of the story. Their novel insights included awareness about the motives and ...

  8. Apr 20, 2022 · Abstract. This introductory chapter begins by establishing the overarching objectives of the handbook. It goes on to explore the thorny question of how children’s film may be conceptualized, outlining a number of possible critical approaches to the topic, and arguing in favour of understanding children’s films both in terms of their shared textual features and the contextual processes ...