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  1. Sep 28, 2021 · Three more great recordings of Mozart’s Piano Concertos. Murray Perahia (piano) English Chamber Orchestra (1975-1988) Sony 82876 872302 (12 CDs) For exquisite keyboard command, no one quite matches Murray Perahia. His poetic sensibilities and sonority are perfectly matched in this music.

  2. Jan 27, 2022 · You missed out some of Mozart’s best: Eine Kleine Nachtmusik, Symphony No. 40, Piano Sonata No. 16 in C major, K.545 and Piano Concerto No. 21 in C major: II Andante! Reply Leave a Reply

  3. The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra.It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of ...

  4. Feb 13, 2019 · The pieces here represent a tiny fraction of the piano music that Mozart composed during his brief lifetime. Each work seems to turn a new corner and offers any aspiring pianist a wonderful challenge. Read: Interesting Facts About Wolfgang Amadeus Mozart; Mozart’s Symphonies: Four of the Best Symphonies by Mozart; How to play Mozart’s piano ...

  5. 3. Piano Concerto No. 21 ('Elvira Madigan') in C major. Mozart’s 1785 beautiful piano concerto is often used in films – you’ll hear it in Superman Returns, The Spy Who Loved Me, and Elvira Madigan, giving the music its unofficial nickname.

  6. Mar 24, 2020 · 3: Mozart: Piano Concerto In C Minor, K491 Mozart ’s 27 piano concertos comprise the largest body of piano concertos that still colonise our concert halls, although (scandalously) a relatively ...

  7. Misc. Notes This is the violin line as presented in Rudorff's orchestral score and is faithful to the sources used to produce this edition. By contrast, the violin part published separately by Breitkopf (with piano reduction) is heavily edited by Paul Waldersee (1831-1906) to represent 19th- rather than 18th-century performance practice.

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