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- The Piano Concerto No. 12 is notable for its elegant and lyrical themes, its balance between virtuosity and expressive depth, and its clear showcase of Mozart’s genius for musical architecture. The interplay between the solo piano and the orchestra is seamless, with neither overpowering the other.
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Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano (or harpsichord), two oboes, two bassoons (optional), two horns, and strings (consisting of violins, violas, cellos, and double basses).
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p) was written in the autumn of 1782 in Vienna. It is scored for solo piano, two oboes, two bassoons (optional), two horns, and strings (consisting of violins, violas, cellos, and double basses).
Mozart Piano Concertos, compositions by Wolfgang Amadeus Mozart not only numerous in quantity and excellent in quality but also standing very early in the existence of the genre and, indeed, of the piano itself. Mozart’s 27 concerti for solo piano and orchestra, composed between 1767, when he was.
- Betsy Schwarm
Mozart’s tightening of the dynamic contrasts between soloist and orchestra, and the expansion of the tonal range allow his piano concertos to be experienced as immediate and exciting, creating almost physically tangible pieces of music. En route to the great piano concertos of the years 1784-1787 there exists.
Mozart's twelfth piano concerto, the Concerto in A, K. 414, was one of three concertos that he wrote in 1782 and early 1783 for himself to play. He had recently moved to Vienna and, to help establish his reputation in the city, he wanted new concertos to impress the general public.
The form of Mozart's piano concerto first movements has generated much discussion, of which modern instances were initiated by the highly influential analysis provided by Tovey in his Essay. In broad terms, they consist of (using the terminology of Hutchings):
