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Mr. Arashi: The boss of the Amazing Freak Show and the seedy stranger who led Midori into his horrific circus. While he appears to be a benevolent and consistent manager, he is actually a greedy and manipulative conman. He'll do anything to get rich, even going so far as taking Midori hostage for his show.
- Melon Comic
- Suehiro Maruo
- Seirindō
To her horror, she discovers that she has been conned into joining his circus troupe, Aka Neko Za—a traveling freak show consisting of vulgar and deformed performers. Midori compares her new fairground lifestyle to hell.
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Jan 3, 2024 · Midori: Shoujo Tsubaki, also known as Chika Gento Gegika: Shoujo Tsubaki, is a fantasy horror film created by Hiroshi Harada. The movie was released in 1992 and is based on Suehiro Maruo’s...
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Behind the colorful curtains and extravagant performances, there lies the dark side of a circus life, hidden away from the smiles and praises of the audience. Set in early 20th century Japan, Midori: Shoujo Tsubaki highlights the misdeeds that occur in circus camps. Midori was an innocent young girl who enjoyed her life as an elementary student to the fullest. However, everything changed after ...
After young Midori loses her parents, she takes refuge in a freak show with living mummies, human torsos, and sexual degenerates. She is beaten, raped, and exposed to hideous displays of exhibitionism and cruelty. Her savior is Mr. Arashi, a dwarf who imprisons himself in bottles and escapes confinement like a vapor.
Midori was adapted from a manga by Maruo Suehiro titled “Shōjo Tsubaki” or “Mr. Arashi’s Amazing Freak Show.” The man behind this adaptation is Harada Hiroshi, on whom I was able to find surprisingly little information. From what I can gather, Hiroshi is a recluse who animated this whole thing himself because no one else would agree to finance it.
MR. ARASHI’S AMAZING FREAK SHOW, published in English by Blast Books in 1991, was a popular manga by the ero-guro (erotic grotesque) maestro Suehiro Maruo. It contains all of Maruo’s trademarks—rape, deformity, eyeball licking, erupting entrails—in a powerfully surreal narrative that’s equal parts ALICE IN WONDERLAND and FREAKS.
