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2 days ago · Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition." [15] In the opinion of music journalist Robert Christgau, "the best rock jolts folk-art virtues—directness, utility, natural audience—into ...
Aug 22, 2024 · Prime Sound is reader-supported. We may earn a commission through products purchased using links on this page. Learn more about our process hereUnraveling the intricate threads of music may seem like an elusive art, and among those threads lie two essential elements often misemployed interchangeably: beat and rhythm. Many music enthusiasts, and even some seasoned […]
4 days ago · Country music, style of American popular music that originated in rural parts of the South and West in the early 20th century. Ultimately, country music’s roots lie in the ballads, folk songs, and popular songs of the English, Scots, and Irish settlers of the Appalachians and other parts of the South.
6 days ago · Hip-hop is a cultural movement that attained popularity in the 1980s and ’90s. It is the backing music for rap, the musical style incorporating rhythmic and/or rhyming speech that became the movement’s most lasting and influential art form.
Sep 11, 2024 · rhythm and blues, term used for several types of postwar African-American popular music, as well as for some white rock music derived from it. The term was coined by Jerry Wexler in 1947, when he was editing the charts at the trade journal Billboard and found that the record companies issuing Black popular music considered the chart names then in use (Harlem Hit Parade, Sepia, Race) to be ...
Aug 26, 2024 · Ragtime, propulsively syncopated musical style, one forerunner of jazz and the predominant style of American popular music from about 1899 to 1917. Ragtime evolved in the playing of honky-tonk pianists in the last decades of the 19th century. Its best-known composer was Scott Joplin.
1 day ago · Many European commentators of the early 19th century found new unification in their definition of classical music: to juxtapose the older composers Wolfgang Amadeus Mozart, Joseph Haydn, and (excluding some of his later works) Ludwig van Beethoven as "classical" against the emerging style of Romantic music.
