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  1. Origen del Pop. El término canción pop se registró por primera vez en 1926, usado en el sentido de una pieza musical «que tenga atractivo popular». [4] A partir de la década de 1990, el término «música pop» se ha utilizado para describir un género distinto, destinado a un mercado joven, a menudo caracterizado como una alternativa suave al rock and roll.

  2. A música pop (em inglês: pop music; um termo que deriva da abreviação de "popular") é um gênero da música popular que se originou durante a década de 1950 nos Estados Unidos e Reino Unido. [4] A música pop é eclética, e muitas vezes incorpora elementos de outros estilos, como o urban, dance, rock, música latina, soul e country.

  3. en.wikipedia.org › wiki › Pop_musicPop music - Wikipedia

    • Overview
    • Definitions and etymology
    • Development and influence

    Pop is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. Rock and pop music remained roughly synonymous until the late 1960s, after which pop became asso

    David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk music". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". David Boyle, a music researcher, states pop music as any type of music that a person has been exposed to by the mass media. Most individuals think that pop music is just the singles charts and not the sum of all chart music. The music charts contain song

    In the 1940s, improved microphone design allowed a more intimate singing style and, ten or twenty years later, inexpensive and more durable 45 rpm records for singles "revolutionized the manner in which pop has been disseminated", which helped to move pop music to "a record/radio

    Throughout its development, pop music has absorbed influences from other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz and rock music, orchestration fro

    The story of pop music is largely the story of the intertwining pop culture of the United States and the United Kingdom in the postwar era. — Bob Stanley Pop music has been dominated by the American and British music industries, whose influence has made pop music something ...

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  5. ro.wikipedia.org › wiki › Muzică_popMuzică pop - Wikipedia

    • Istoria și Evoluția Conceptului
    • Vezi și
    • Bibliografie
    • Legături Externe

    Cuvântul „pop” este preluat din limba engleză, unde servește ca abreviere pentru adjectivul popular („celebru”, „faimos”); termenul englezesc a dat naștere mai multor concepte privitoare la cultura produsă de populația de la oraș, prin abordări artistice cu un grad de utilitate semnificativ mai ridicat decât în cazul creației culte (care mizează nu arareori pe „arta pentru artă”), prin vehicularea unor mesaje de protest pricinuite de viciile societății, de scena politică națională sau mondială etc. Cel mai mare impact l-a avut conceptul de popular culture (mai scurt, pop culture), care introduce un concurent puternic pentru cultura savantă. Creațiile sale împrumută unele trăsături ale folclorului (în cazul muzicii, vezi și aici), dar autorii sunt, cel mai adesea, orășeni; prin urmare, nivelul de educație școlară este unul mai ridicat, cei mai mulți dintre reprezentații noii culturi fiind cel puțin semi-docți. După probarea succesului noii mișcări, pop culture a scos la lumină și alt...

    Bell, John L., (2000) The Singing Thing: A Case for Congregational Song, GIA Publications, ISBN 1-57999-100-9
    Bindas, Kenneth J., (1992) America's Musical Pulse: Popular Music in Twentieth-Century Society, Praeger.
    Clarke, Donald, (1995) The Rise and Fall of Popular Music, St Martin's Press. http://www.musicweb.uk.net/RiseandFall/index.htm
    The pop genre on Allmusic
    The Consumption of Music and the Expression of Values: A Social Economic Explanation for the Advent of Pop Music, Wilfred Dolfsma, American Journal of Economics and Sociology, October 1999
    • Pop Indie
    • Pop Comercial
    • Pop Electrónico
    • Pop Tradicional
    • Pop Versus Rock
    • Véxase tamén

    A esta liña pertencen tódalas agrupacións cuxas compañías discográficas non contan con grandes orzamentos e que, xa que logo, non compiten co "mainstream". O seu carácter underground confírelles certo carácter de culto, que se incrementa en ocasións cunha lírica creativa algo difícil de asimilar nunha primeira escoita. A creación musical está afortalada* fronte á promoción ou a rendibilidade do produto. No movemento indie adoitan predominar actitudes e gustos "freak", certa atemporalidade en forma de "síndrome de Peter Pan", e fetichismo cara ao retro e o kitsch.

    É o pop que atopamos en radiofórmulas, soportado por grandes compañías discográficas cuns obxectivos económicos moi claros e definidos. A estes obxectivos vense sometidos os artistas, que en ocasións funcionan como verdadeiros produtos de tempada. É unha música de consumo, que vive pouco tempo (en ocasións, só os meses de verán), e cuxo contido en moitas ocasións é convencional e estándar. É xusto recoñecer que dentro desta liña musical, e aínda amparados por desmesuradas campañas comerciais, tamén existen grupos e solistas que gozan dunha calidade contrastada e de liberdade creativa. Na sociedade de consumo o primeiro obxectivo dun produto é que cree os máximos beneficios posibles e o pop cumpre con esta norma. É un dos xéneros con maior potencial de consumidores e isto aproveitárono as cadeas de televisión para crear artistas do xénero en programas como Operación Triunfo, e que teñen grandes audiencias. Sen dúbida, unha das características que definen o carácter deste xénero é o f...

    É aquel que se xerou con instrumentos electrónicos e sons dixitais. Véxase: Aviador Dro, OBK ou Alaska.

    É aquel que se xerou coa estrutura musical tradicional dos Beatles: Voz, guitarra, baixo e batería. Véxase Rolling Stones, La Habitación Roja, Amaraletc.

    Hai tantas características comúns entre o rocke o pop que, en moitas ocasións, unha mesma composición pode ser catalogada indistintamente con argumentos igualmente sólidos. De calquera modo, existe a opinión consensuada de que a principal diferenza está na intensidade do espectáculo en directo e na forza e virtuosismo instrumental. O rock sempre mantén a estrutura tradicional "guitarra - baixo - batería", con riffs saturados e sós de guitarras penetrantes, cun gran núcleo rítmico de baixo e batería, e con voces máis desgarradas. A temática das letras acostuma ser máis ampla e arriscada. O pop, ao contrario, non ten estrutura instrumental definida, predomina a melodía de voz sobre o resto de instrumentos, e mantén un clímax musical máis asimilable e limpo.

    Outros artigos

    1. Música 2. Música moderna 3. Arte pop

    • History
    • How Does The Business of Pop Music Work?
    • Types of Music That Became Pop Music
    • Other Websites

    Modern pop music grew out of 1950s rock and roll, (for example Chuck Berry, Bo Diddley and Little Richard) and rockabilly (for example Elvis Presley and Buddy Holly). In the 1960s, The Beatles became a famous pop music group. In the 1970s, other styles of music were mixed with pop music, such as funk and soul music. Pop music generally has a heavy (strong) beat, so that it is good for dancing. Pop singers normally sing with microphones that are plugged into an amplifier and a loudspeaker.

    There are also many more people working on pop music who are not seen on the stage or in the video. These people include the studiostaff (people who help the musicians to record CDs and music videos in music studios), production staff (people who help make the music recordings sound good), distribution staff (people who help sell the music to stores) and retail staff (people that sell the music to people at CD stores). Tour staff help the band to travel around the country (or around the world) for their concert tours. Some tour staff help by carrying heavy musical instruments onto the stage. Other tour staff drive buses or cars, so that the band can get to the concert. Some tour staff operate sound equipment, such as the large amplifiers and loudspeakersthat are used to amplify (make louder) the band's music for the audience. Promotional staff help to market or promote the band's music, so that more people will know about the band, and buy the band's CDs. Some promotional staff trav...

    Pop music came from the Rock and Roll movement of the early 1950s, when record companies recorded songs that they thought that teenagerswould like. Pop music usually uses musical from the other types of music that are popular at the time. Many different styles of music have become pop music during different time periods. Often, music companies create pop music styles by taking a style of music that only a small number of people were listening to, and then making that music more popular by marketing it to teenagers and young adults. In the 1950s, recording companies took blues-influenced rock and roll (for example Chuck Berry and Bo Diddley) and rockabilly (for example Carl Perkins and Buddy Holly) and promoted them as pop music. In the late 1960s and early 1970s, record companies took folk music bands and musicians and helped them to create a new type of music called folk rock or acid rock. Folk rock and acid rock mixed folk music, blues and rock and roll (for example The Byrds and...

    Gilliland, John (1969). "Radio documentary about pop music" (audio). Pop Chronicles. Digital.library.unt.edu.CS1 maint: ref=harv (link)

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