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  1. Dec 29, 2023 · Learned to speak Navajo. Recorded and transcribed hundreds of‌ songs and ⁤stories. Thanks to her groundbreaking work, ‌we have a vast collection of Native American ‍music that might have been lost forever. And yet,‌ Natalie Curtis remains relatively unknown in the field of ethnomusicology.

  2. Natalie Curtis Burlin (born April 26, 1875, New York, N.Y., U.S.—died Oct. 23, 1921, Paris, France) American ethnomusicologist whose interest in Native American and African-American musics extended not only to archiving but to vigorous cultural advocacy for those musical traditions.

  3. Sep 23, 2017 · Posted on September 23, 2017 by Emily Stephenson. In her article entitled “ The Perpetuating of Indian Art ,” Natalie Curtis unveils a complicated attitude in regards to studying Native American culture. While her perspective is filled with racial biases, she does advocate for preserving Native American music in it’s most traditional and ...

  4. Sep 20, 2023 · Natalie Curtis Burlin (1875 – 1921) was an American ethnomusicologist and musician whose work centered around preserving and archiving African-American and Native American music, art, and culture. In her 1913 article “The Perpetuating of Indian Art”, she appeals to the American governmental systems that are trying to erase Native culture ...

  5. Natalie Curtis (1875-1921) Natalie Curtis was born in New York City in either 1875, according to Carl Rahkonen, or 1876, according to historian Michelle Patterson. She came from a “...close, well-connected family and relatively wealthy family…” (Patterson, 2010, 438). She initially trained to be a concert pianist at the National ...

  6. May 14, 2018 · Natalie Curtis Burlin (1875-1921) was an American ethnomusicologist who began the movement to transcribe the traditional songs of Native American tribes. She also published a four-volume collection of African American spirituals. Her work helped preserve the folk songs of both groups.

  7. (1875-1921) CARL RAHKONEN. Natalie Curtis was one of the early pioneers in. ican and African American music.1 She was the study born in 1875 of Native in New Amer- York. City and received her initial musical training with Arthur Friedheim, a stu- dent of Franz Liszt, at the National Conservatory in New York. She then trav-

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