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  1. Natasha Gregson Wagner ( née Gregson; born September 29, 1970) [1] is an American actress. She is the daughter of film producer Richard Gregson and actress Natalie Wood. She has appeared in films including Lost Highway, Two Girls and a Guy, First Love, Last Rites (all 1997), Urban Legend, Another Day in Paradise (both 1998) and High Fidelity ...

  2. May 4, 2020 · Natasha Gregson Wagner is the daughter of Natalie Wood and Richard Gregson, Wood’s second husband. The marriage did not last long as Wood divorced Gregson and got back with her first husband, Robert Wagner. Post her mother’s death, Gregson Wagner was raised by Wagner and his wife, Jill St. John. Gregson Wagner is also an actress who made ...

  3. Mar 19, 2016 · (In 2003, she married D. V. DeVincentis, the screenwriter of “High Fidelity,” who is a writer for the FX series ... An article last Sunday about Natasha Gregson Wagner, the daughter of Natalie ...

  4. Search Engines (2016) 13 Videos. 61 Photos. She was surrounded by Hollywood glamor from the onset as the daughter of film star Natalie Wood and British producer/writer/agent Richard Gregson, who was briefly married to Wood between her two marriages to actor Robert Wagner. Natasha Gregson was born on September 29, 1970, in Los Angeles.

    • Actress, Producer, Soundtrack
    • September 29, 1970
    • 2 min
  5. D.V. DeVincentis. Writer: American Crime Story. D.V. DeVincentis is known for American Crime Story (2016), High Fidelity (2000) and Grosse Pointe Blank (1997). He was previously married to Natasha Gregson Wagner.

    • Writer, Producer, Actor
    • D.V. DeVincentis
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  7. D.V. DeVincentis. Writer: American Crime Story. D.V. DeVincentis is known for American Crime Story (2016), High Fidelity (2000) and Grosse Pointe Blank (1997). He was previously married to Natasha Gregson Wagner.

  8. Cusack and his Chicago friends—D.V. DeVincentis and Steve Pink—have rewritten Scott Rosenberg's script to catch Hornby's spirit without losing the sick comic twists they gave 1997's Grosse Pointe Blank." In his review for The Observer, Philip French wrote, "High Fidelity is an extraordinarily funny film, full of verbal and visual wit. And ...