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  1. Category page. This is our collection of comic covers illustrated by Neal Adams. If you find an issue in the database that is not shown here, please edit that issue adding "Neal Adams" as one of the cover artists. Community content is available under CC-BY-SA unless otherwise noted.

    • The Phantom Stranger Vol. 2 #13 and #14. Neal Adams drew several covers for The Phantom Stranger Vol. 2, but issues #13 and #14 are standouts. Issue #13 depicts a creepy image of a boy shooting a scientist with finger guns, something reminiscent of The Twilight Zone.
    • Green Lantern Vol. 2 #76 and #87. Green Lantern Vol. 2 #76 started what would be perhaps the most famous run of Adams’ career. Commonly referred to as “Hard-Travelling Heroes”, this issue was Adams’ start on Green Lantern/Green Arrow with writer Dennis O’Neil, who passed away in 2020.
    • Green Lantern Vol 2. # 85 One of the most historic comic book covers ever to reach print, Green Lantern Vol. 2 #85 depicts Green Arrow’s sidekick, Speedy, in the throes of drug addiction after having used a needle to shoot up heroin.
    • Superman Vol. 1 #233. Another one of Adams’ most famous works, is the cover of Superman Vol 1. # 233, which depicts Superman breaking out of chains that shatter off of the page.
    • Limited Collectors’ Edition C-51. Adams takes Batman #232 and, remarkably, makes it even better. Sure, he had the advantage of the larger, treasury size and the landscape wraparound, but he takes full advantage of both: Batman’s never looked more anguished, with every muscle taut, about to explode.
    • Batman #251. The idea of taking an important character and blowing them up to gigantic size has been a cover trick since the earliest days of comics but this is one of the boldest ever executed.
    • Batman #232. OK, now we’re getting down to it. This is a visionary cover, taking the layered concept of Batman #227 and intensifying it with a lurid neon green that begs you to look.
    • Batman #237. Ask me again tomorrow and I might flip this with Batman #244. Equally terrifying and alluring with that bright, blood red background that just screams feverish chaos.
    • Batman #200. Published: March 1968. Estimated Price: $250 USD (Raw High Grade) Why It’s a Key: Neal Adams’ debut on the Batman title. Why We Picked It: With this single issue, Neal Adams began his now legendary run on Batman (prior to this issue he had only inked artist Carmine Infantino’s pencils on Detective Comics #370 and had briefly done some cover art for Brave and the Bold #75).
    • Brave and the Bold #79. Published: August 1968. Estimated Price: $150 USD (Raw High Grade) Why It’s a Key: Team-up of Batman and Deadman. Why We Picked It: Another classic Neal Adams Batman cover that still stands the test of time, this iconic issue shows how effortlessly Adams could bring a sense of drama and mystery to his work, with his style going on to influence an entire generation of comic book artists.
    • Detective Comics #395. Published: January 1970. Estimated Price: $300 USD (Raw High Grade) Why It’s a Key: First collaboration between Neal Adams and Dennis O’Neil on the Detective Comics title.
    • Detective Comics #400. Published: June 1970. Estimated Price: $600 USD (Raw High Grade) Why It’s a Key: First appearance and origin of Man-Bat. First team-up of Batgirl and Robin in a backup story.
  2. Feb 5, 2016 · At 74 years of age, Adams is as eager as ever to tell new stories with DC’s biggest heroes, and this month sees the release of the first issue of his new six issue mini-series, Superman: The Coming of the Supermen. To mark the occasion, we've compiled a collection of his best DC cover art.

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  4. Apr 17, 2023 · I’ve published so much on Adams and Batman that I decided to do a 13 COVERS gallery starring the Caped Crusader’s pal, Superman. I’ve also decided to challenge myself and rank them. (For a different viewpoint, check out what Paul Kupperberg wrote about Adams and Superman a year ago.)

  5. Apr 3, 2023 · Alter Ego #181 is jam-packed with in-depth interviews, tributes and rare art — including the cover itself, which is believed to be a rejected cover pitched for the landmark Brave and the Bold #85, which introduced the new-look Green Arrow. Dig the table of contents:

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