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  1. Neil Perry Character Analysis. Neil Perry is a popular, idealistic student at Welton, and one of Keating ’s most loyal disciples. As Todd Anderson ’s roommate, Neil is instrumental in inspiring Todd to be bolder and more confident. For his own part, Neil is highly intimidated by his father, Mr. Perry, and yearns to find a way to rebel ...

  2. Character Analysis. Aww, Neil. The fate of this guy is so tragic that only a little Shakespeare can do it justice: Lord, what fools these mortals be! That lil' monologue comes courtesy of Puck from A Midsummer Night's Dream —who, incidentally, is the character that Neil plays so totally masterfully in his school play.

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  4. Neil and his friends have recently revived the Dead Poets Society, which their favorite English teacher, Mr. Keating, was a member of during his own time at Welton. Neil spends his leisure time reading and writing poetry and preparing for his part as Puck in the school’s rendition of A Midsummer Night’s Dream. Interests… acting.

  5. The boys find their voice after breaking free from their expectations and rules to become independent members of society. Neil Perry is perhaps the boldest character the film has to offer. He represents the intricate mosaic of conflicting feelings and desires that the majority of society feels when faced with an authority figure’s demands.

  6. Neil Perry discovers the past existence of the Dead Poets Society and helps revive it. Of all the boys who take part in the Dead Poets Society, he is the most open to influence and acts as a leader in connecting the boys to their teacher. They are inspired by the poetry they read and recite together. He is friendly and helpful to his shy new ...

  7. Character Role Analysis Mr. Perry. When Neil's father first appears, he seems to be an encouraging and supportive parent who believes in his son's potential. We quickly learn, though, that his ideas about Neil's potential isn't based on what Neil wants, but what he wants. And what he wants is in direct opposition to Neil's dreams.

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