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  1. New jack swing, new jack, or swingbeat [1] is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley, Bernard Belle, Jimmy Jam and Terry Lewis, new jack swing was most popular from the late 1980s to early 1990s.

    • 4 min
    • Guy – Groove Me. If you want to explain New Jack Swing to new listeners in one track, point them to “Groove Me.” The second single from Guy’s self-titled debut, “Groove Me” is a sonic representation of the hip-hop and R&B hybrid genre finding its…well, groove.
    • Bobby Brown – Don’t Be Cruel. Bobby Brown’s seminal LP is one of the first full New Jack Swing albums, and while many consider the Riley-produced “My Prerogative” the definitive album track, the LA Reid and Babyface-helmed title track and opener is a 6:48 masterpiece.
    • Johnny Kemp – Just Got Paid. This Thank-God-it’s-Friday anthem is one of several Teddy Riley projects in 1987 and 1988 that set the stage for New Jack Swing to shift from a new sound in R&B to a full-on cultural movement.
    • Bell Biv DeVoe – Poison. Ricky, Mike, and Ronnie didn’t have the solo interests of fellow New Edition members Bobby, Ralph, and Johnny, freeing them to take risks, but when “Poison” was first released, it performed moderately – until the video dropped.
  2. en.wikipedia.org › wiki › Teddy_RileyTeddy Riley - Wikipedia

    Guy. Website. teddyriley .com. Edward Theodore Riley (born October 8, 1967) is an American record producer, singer, and songwriter credited with the creation of the R&B and hip hop fusion genre new jack swing. He is the founder and lead singer of the musical group Blackstreet, as well as its predecessor, Guy.

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  4. May 11, 2014 · Well anyways, here is a list of the songs in the video: Bobby Brown "Don't Be Cruel" (1987) Keith Sweat "I Want Her" (1987) Johnny Kemp "Just Got Paid" (1988) Guy "Groove Me" (1988) Guy "Teddy's...

    • May 11, 2014
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  5. Oct 23, 2017 · BY Ralph Bristout / 10.23.2017. Between the years of 1986 and 1991, the pulse of young black America was soundtracked by a rhythmic explosion that rippled dance floors, Kenwood speakers, and Cross Colours colorways. It was called “New Jack Swing,” a term coined by esteemed journalist, author and screenwriter Barry Michael Cooper.

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