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Oct 16, 2009 · Comedy Drama Romance. Eleven love stories set in one of the most loved and hated cities of the world, New York City. Directors. Fatih Akin. Yvan Attal. Randall Balsmeyer. Writers. Hu Hong. Yao Meng. Israel Horovitz. Stars. Shia LaBeouf. Natalie Portman. Bradley Cooper. See production info at IMDbPro. STREAMING. +9.
- (48K)
- Comedy, Drama, Romance
- Fatih Akin, Yvan Attal, Randall Balsmeyer
- 2009-10-16
New York, I Love You is a 2008 American romantic comedy-drama anthology film consisting of eleven short films, each by a different director. The shorts all relate in some way to the subject of love and are set among the five boroughs of New York City.
In the Diamond District, an intercultural romantic fantasy transforms the purchase of a precious stone. Meanwhile, in Chinatown, a desperate artist pursues a reluctant muse. Within an Upper East Side hotel, a sophisticated guest and a mysterious bellboy journey outside of time.
- www.newyorkiloveyouthemovie.com
- Vivendi Entertainment
- Emmanuel Benbihy, Marina Grasic
May 27, 2016 · The standout gem is Mira Nair's entry, starring Portman as a Hasidic Jewish woman haggling with a jewler (Irfan Khan) in the diamond district, and connecting with him despite...
Parents need to know that this collection of shorts about living in New York City -- whose large ensemble cast includes Shia LaBeouf, Bradley Cooper, Natalie Portman, Blake Lively, and many more -- runs the gamut from sweet to seductive to sexually (at least verbally) explicit.
- Ethan Hawke, Natalie Portman, Robin Wright
- Allen Hughes, Brett Ratner, Mira Nair
- Vivendi
Sep 30, 2009 · New York, I Love You. Ten helmers, each given a formula to shoot a Gotham love story. The results are, well, formulaic. By Jay Weissberg. The “Cities of Love” franchise begun with...
People also ask
How many love stories are in New York City?
When did 'I Love You' come out?
Is 'I Love You' a sequel to 'Paris je t'aime'?
Is New York I Love you based on Paris je t'aime?
A romantic utopian bent on rethinking the structures of film production, Benbihy talks about his project—to make neither an anthology, nor a collection of shorts, but rather a single unified “collective feature film”—as if he were the Charles Fourier of film producers.
