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This is a list of the compositions of the Italian virtuoso violinist Niccolò Paganini (1782–1840). With MS number. Without MS number. Violin solo. Quattro Studi per violino solo (orig. name Studj No.4) Quattro studi per violino solo - Società Editrice di Musicologia : No.1 in C major [Allegretto] No.2 in A major (Moderato)
- Alice Benton
- 9 min
- 24 Capricci, Op. 1 (1802 – 1817) Undoubtedly Paganini’s best work is 24 Capricci for solo violin, written in groups over several years. Like Ghiribizzi, each miniature is a study of a particular element: No. 1 is aptly nicknamed ‘the arpeggio,’ practicing rapid string crossings; No. 6 is, for obvious reasons, nicknamed the ‘trill’; whilst other names derive from the character of the piece.
- Violin Concerto No.2 in B minor, Op. 7 (1826) The second of Paganini’s violin concertos is among his most famous works. It’s more frequently referred to by the nickname ‘La Campanella’ (meaning ‘the little bell’) after the twinkling bell featured in every recurrence of the main theme in the third movement.
- Violin Concerto No.1 in D major, Op. 6 (1817) Paganini’s larger-scale orchestral works, such as the violin concertos, are often grand and dramatic affairs, with equally dramatic, exhibitionist violin parts.
- Moto Perpetuo (1835) As the title suggests, this one takes some serious stamina. Moto Perpetuo, translated as ‘perpetual motion,’ is an endless rhythmic rollercoaster performed at rapid pace.
Paganini in 1836 by John Whittle. Niccolò (or Nicolò) Paganini ( Italian: [ni (k)koˈlɔ ppaɡaˈniːni] ⓘ; 27 October 1782 – 27 May 1840) was an Italian violinist and composer. He was the most celebrated violin virtuoso of his time, and left his mark as one of the pillars of modern violin technique.
The Compositions Of Niccolò Paganini . His music attained new heights and achievements which to this day have not been surpassed.
Dec 4, 2018 · Many of his works are composed for his own purposes and performance. Paganini’s regime of study and practice was ridged and strenuous, often up to fifteen hours a day. His compositions demonstrate great compositional fluency and clearly an astonishing grasp of the capabilities of the violin.
3 Airs Variés. Il carnevale di Venezia, Op. 10. Introduction and variations in G major to 'Nel cor più non mi sento'. Le Streghe - Witche's Dance, Op. 8. Mose-Fantasia, MS 23. Variations on 'I Palpiti', Op. 13. Variations on 'Non più mesta', Op. 12. Variations on a Theme of G. Weigl. Variations on ‘God Save the King’, Op. 9.
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