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Nita Naldi. Nita Naldi (born Mary Nonna Dooley; [3] [4] November 13, 1894 – February 17, 1961) was an American stage performer and silent film actress. She was often cast in theatrical and screen productions as a vamp, a type of character first popularized by actress Theda Bara .
Nita Naldi (1894-1961) Nita Naldi. Nonna Dooley, the future silent screen star, began her career as a showgirl in a Shubert revue in the Winter Garden, later went on to the famed Ziegfeld Follies. After a successful career on the stage with the Follies, Nita decided to try her hand with films in Hollywood. Her rise to fame was very quick.
- January 1, 1
- New York City, New York, USA
- January 1, 1
- New York City, New York, USA
Mar 29, 2023 · Naldi made two films in France and one in Italy before retiring. Despite having an acceptable voice, Naldi never made a “talkie”. Later life. Due to the financial reversals caused by her retirement from films, as well as the Great Depression, Naldi filed for bankruptcy in 1932. She went back to the stage with Queer People and The Firebird ...
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Nita Naldi. Actress: The Ten Commandments. Nonna Dooley, the future silent screen star, began her career as a showgirl in a Shubert revue in the Winter Garden, later went on to the famed Ziegfeld Follies. After a successful career on the stage with the Follies, Nita decided to try her hand with films in Hollywood. Her rise to fame was very quick. In 1920, at the age of 25, she starred...
- November 13, 1894
- February 17, 1961
Nita Naldi’s career as a movie star was a short one as film careers go, from Dr. Jekyll and Mr. Hyde in 1920 to her last film, Die Pratermizzi, released in 1927. She had only one lead role ( The Mountain Eagle, 1926) and is mainly remembered for her costarring roles with Rudolph Valentino. She was typecast as a vamp, an archetype that was ...
Dec 20, 2011 · Actress Nita Naldi, interviewed in 1959 for a project on the American Popular Arts, describes how she won the lead role in the iconic film “Blood and Sand.” Notes This material may be protected by copyright law (Title 17 U.S. Code).
Information on Nita’s films was derived from Wid’s Film Daily, Wid’s Yearbooks (1920-1928), Film Daily, Motion Picture News, Motion Picture World, The Motion Picture Almanac 1929, the International Federation of Film Archives (FIAF) database, the American Film...
