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Synopsis: Guérillère Talks, comprising seven rolls of Super 8 film, is a series of portraits of women, all of whom are associated with the No Wave music and art scene. The film features Beate Nilsen, Ikue Mori, Lydia Lunch, Pat Place, Adele Bertei, and Anya Phillips. In Guérillère Talks the filmmaker’s presence is felt through the ...
No wave cinema was an underground filmmaking movement that flourished on the Lower East Side of New York City from about 1976 to 1985. Associated with (and partially sponsored by) the artists’ group Collaborative Projects, no wave cinema was a stripped-down style of guerrilla filmmaking that emphasized dark edgy mood and unrehearsed immediacy above many other artistic concerns – similar to ...
- United States
- 1976-1985
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The duo have recently bought Rosa Vertov online, where they’ve reposted a series of video compilations made up of rare clips of female-fronted 1980s post punk and no wave bands. Drawing on European and American obscurities, with the exception of a few ever-green favourites (The Waitresses, Young Marble Giants) we can safely say we’ve heard ...
Woman stretching, close up. of 100. India. Browse Getty Images’ premium collection of high-quality, authentic Young Women No Clothes stock photos, royalty-free images, and pictures. Young Women No Clothes stock photos are available in a variety of sizes and formats to fit your needs.
Wave (2017) cast and crew credits, including actors, actresses, directors, writers and more.
The Women's March [13] [14] [15] [a] was a worldwide protest on January 21, 2017, the day after the inauguration of Donald Trump as US president. It was prompted by Trump's policy positions and rhetoric, which were considered misogynistic and represented a threat to the rights of women. [13] [19] It was at the time the largest single-day ...
Musicology: The History of No Wave. The music created was supposed to be a break in many ways from punk’s origins in 1950s rock ’n’ roll, while still maintaining the spirit of punk. If anything, the music of bands such as Suicide, Mars and Teenage Jesus & The Jerks can be seen as a purposeful deconstruction of rock ’n’ roll, reducing ...
