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  1. Mar 21, 2016 · By NASRULLAH MAMBROL on March 21, 2016 • ( 3 ) Northrop Fryes Anatomy of Criticism (1957) introduced the archetypal approach called Myth Criticism, combining the typological interpretation of the Bible and the conception of imagination prevalent in the writings of William Blake.

  2. Since apocalyptic imagery exists at the level of undisplaced myth, we can expect the principle of radical metaphor to figure importantly in Fryes discussion. This principle, when applied to apocalyptic imagery, will yield the concrete universal, which means, as we have already observed, that any apocalyptic image is not only unique in itself ...

  3. Herman Northrop Frye CC FRSC (July 14, 1912 – January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake.

  4. Northrop Frye, Myth, Fiction, and Displacement, Daedalus, Vol. 90, No. 3, Evolution and Man's Progress (Summer, 1961), pp. 587-605.

  5. Although Jean Piaget and others have expressed skepticism about the universality or "racial" quality of Jung's archetypes, the archetypal vocabulary is now widespread in the discourse of those who might be called myth critics, including the most influential member of that group, Northrop Frye.

  6. Since the publication of Northrop Frye's Anatomy of Criticism in 1957, myth criticism has become the most important successor to formalist criticism, which had dominated academic literary study from the early twenties in Britain and from the late thirties in. America. Although Frye's work is uniquely prestigious, his com.

  7. Northrop Frye and the Phenomenology of Myth on JSTOR. Glen Robert Gill. Series: Copyright Date: 2006. Published by: University of Toronto Press. Pages: 240. https://www.jstor.org/stable/10.3138/j.ctt1287v75. Select all. (For EndNote, Zotero, Mendeley) (For BibTex) Front Matter. (pp. i-vi) Front Matter. (pp. i-vi)

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