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    • Noteworthy Music: Ode to Joy-Beethoven, Violin and Organ
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    Was Beethoven contemporary of Mozart?

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  2. Ode to Joy - Wikipedia

    "Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.

    • Germany
    • 1786, 1808
    • An die Freude
    • Thalia
  3. Symphony No. 9 (Beethoven) - Wikipedia

    (Redirected from Ode to Joy (Beethoven)) The Symphony No. 9 in D minor, Op. 125, is a choral symphony, the final complete symphony by Ludwig van Beethoven, composed between 1822 and 1824. It was first performed in Vienna on 7 May 1824.

  4. List of compositions by Wolfgang Amadeus Mozart - Wikipedia

    Mozart's sacred music is mainly vocal, though also instrumental examples exist, like the Sonate da Chiesa for 2 violins, double bass and organ, composed between 1772 and 1780. His sacred music presents a rich stylistic mosaic: Gregorian choral elements meet rigorous counterpoint , and even operatic elements can sometimes emerge.

  5. Beethoven and Mozart - Wikipedia

    Beethoven was born in Bonn in 1770, about 14 years after Mozart (born Salzburg, 1756).In 1781, during Beethoven's childhood, Mozart had moved from Salzburg to Vienna, the Austrian imperial capital, to pursue his career.

  6. Ode to Joy, Hymn to Joy Beethoven - arr. & Organ John Hong Hymn Improvisation John Hong Organ Dedication Concert Boradong Catholic Church 20150620 기뻐하며 경배하세 ...

    • 4 min
    • 33.9K
    • Global Praise Mission - John Hong Organ Time
  7. Beethoven - Ode to Joy - Piano Tutorial - YouTube

    Something we can all sing together! 🎶🎤🎶Sheet music: piano with Skoove:

    • 3 min
    • 246.6K
    • Sheet Music Boss
  8. Did Beethoven steal Ode to Joy from Mozart?

    Re: Did Beethoven steal Ode to Joy from Mozart? « Reply #3 on: January 04, 2015, 08:44:19 PM » 1)There is a large but finite number of tones in the classical system of music, and a large but still finite number of combinations of those.

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