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1. biennalewiki.orgThe New Palazzo Del Cinema Al Lido Di Venezia – The ...

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   The New Palazzo del Cinema al Lido di Venezia. Carlo Aymonino, Mario Botta Architetti, Sverre Fehn, Hentrup-Heyers-Stirling, Steven Holl, Fumihiko Maki, Rafael Moneo, Jean Nouvel, Aldo Rossi, Oswald Mathias Ungers. venue. Arsenale.

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3. www.domusweb.it › en › from-the-archiveVenice Biennale: projects for the new Palazzo del Cinema

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   Aug 30, 2023 · The projects for the Palazzo del Cinema in Venice. In promoting competitions by invitation for the reconstruction of the Italian Pavilion and for the rebuilding of the Palazzo del Cinema, the Biennale has in effect shown that its own requirements are substantially related to the more general needs of Venice as a whole.

4. www.archiweb.cz › en › bArchiweb - The New Palazzo del Cinema at Lido di Venezia

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   The New Palazzo del Cinema at Lido di Venezia. Progetto per il palazzo del cinema. 4. Architect: Steven Holl. Coauthor: Stephen Cassel, Peter Lynch. Spolupráce: Janet Cross, Thomas Jenkinson, Jun Kim, Lucinda Knox, William Wilson. Address: Lido di Venezia, Venice , Italy. Web: www.labiennale.org/it/luoghi/palazzo-del-cinema.

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     Inferno (2016) - Secrets of the Palazzo Scene (4/10) | Movieclips

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     Steven Holl - L'architetto del compromesso | SUPPOSTE DI ARCHITETTURA ep.25

     Jan 19, 2020

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     The Hollow (2016)

     Sep 23, 2016

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6. www.labiennale.org › en › venuesPalazzo del Cinema - La Biennale di Venezia

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   The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival. Built in record time in the Modernist style of the time, it was inaugurated on August 10th 1937 for the fifth edition of the Festival. Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening ...

7. www.ga-ada.co.jp › english › ga_architectGA ARCHITECT / Steven Holl 1 1975-1998

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   An Architecture Adrift in Time: A Message to Steven Holl Toyo Ito Phenomena and Idea Steven Holl 1. Light, Material and Detail. ... Palazzo del Cinema Venice, Italy ...

8. People also ask

   What is the Palazzo del Cinema?

   • The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival. Built in record time in the Modernist style of the time, it was inaugurated on August 10th 1937 for the fifth edition of the Festival.

   Palazzo del Cinema - La Biennale di Venezia

   www.labiennale.org/en/venues/palazzo-del-cinema

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   Why is the Palazzo del Cinema a Venetian palace?

   • Though quite removed from Venice, it is intended to have the attributes of a Venetian palace. Among other things, this means endowing it with a permanent awareness of the city’s mysterious presence. It must be stressed that the Palazzo del Cinema is above all a point of encounter, a meeting place and a market.

   Palazzo del Cinema, Lido di Venezia - Rafael Moneo

   arquitecturaviva.com/works/palazzo-del-cinema-lido-de-venecia

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   Is Palazzo del Cinema a synthesis of rationalist models?

   • Compared to the rhetorical monumentality of the nearby Casino building, the Palazzo del Cinema, which features a Hall and a 1032-seat screening theatre (+4 seats reserved for people with disabilities), is a synthesis of Rationalist models. What remains today of the original building are the two rounded sides and the lateral façades.

   Palazzo del Cinema - La Biennale di Venezia

   www.labiennale.org/en/venues/palazzo-del-cinema

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9. www.imdb.com › title › tt1813633Steven Holl: The Body in Space (1999) - IMDb

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   Steven Holl: The Body in Space: Directed by Michael Blackwood. With Vito Acconci, Tuula Arkio, Steven Holl, Vesa Honkonen. "Steven Holl: The Body in Space" explores the career of the innovative, highly renowned American architect.

10. arquitecturaviva.com › works › palazzo-del-cinemaPalazzo del Cinema, Lido di Venezia - Rafael Moneo

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    The main cinema with its seating capacity of 1.800 is paired with a medium-sized theater for 1,200. Like an island, they are made to float in space, thereby facilitating access from all sides. The character of this element gives preemi­nence to the Lido-side facade, notwithstanding efforts to avoid a frontal interpretation of it.