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  1. Films by genre. Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a ...

  2. Vertigo is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel D'entre les morts ( From Among the Dead) by Boileau-Narcejac. The screenplay was written by Alec Coppel and Samuel A. Taylor.

    • May 9, 1958
  3. Out of the Past: Adventures in Film Noir. Univ. Press of Mississippi. ISBN 978-1-57806-290-4. Grant, John (15 October 2013). A Comprehensive Encyclopedia of Film Noir: The Definitive Reference Guide. Limelight. ISBN 978-1-55783-831-5. Hanson, Helen (15 December 2007). Hollywood Heroines: Women in Film Noir and the Female Gothic Film. I.B.Tauris.

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  5. In 1946 a Paris retrospective of American films embargoed during the war clearly revealed this trend toward visibly darker, more cynical crime melodramas. It was noted by several Gallic critics who christened this new type of Hollywood product “film noir,” or black film, in literal translation.

  6. form of government. This page was last edited on 21 April 2024, at 05:51. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.

  7. Film noir je filmový žánr existující v letech 1941 – 1958, na vrcholu v letech 1941 – 1950. Film noir je obvykle spojován s low key černobílým vzhledem založeným na německé expresionistické kinematografii.

  8. Film noir (franska för "svart film") är en subgenre inom thrillerfilmen. Klassisk film noir, genrens tidigaste filmer, är en kategori svartvita kriminalfilmer från Hollywood, från 1940- och 1950-talen. Termen myntades av franska filmkritiker – därav det franskklingande namnet. [1]

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