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  1. Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g. [] [] [] []

  2. These Three is a 1936 American drama film directed by William Wyler and starring Miriam Hopkins, Merle Oberon, Joel McCrea, and Bonita Granville. The screenplay by Lillian Hellman is based on her 1934 play The Children's Hour. A 1961 remake of the film, also directed by Wyler, was released as The Children's Hour in the US and The Loudest ...

  3. Film noir is not a clearly defined genre (see here for details on the characteristics). Therefore, the composition of this list may be controversial. To minimize dispute the films included here should preferably feature a footnote linking to a reliable, published source which states that the mentioned film is considered to be a film noir by an expert in this field, e.g. [] [] [] []

  4. Neo-noir. Tech noir. Film noir ( / nwɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1930s, 1940s and 1950s are generally regarded as the "classic period" of American film noir.

  5. Apr 16, 2021 · Shadow of a Doubt is a 1943 American psychological thriller film noir directed by Alfred Hitchcock, and starring Teresa Wright and Joseph Cotten. Written by Thornton Wilder, Sally Benson, and Alma Reville, the film was nominated for an Academy Award for Best Story for Gordon McDonell.

  6. Heavy Metal is a 1981 Canadian-American adult animated science fantasy anthology film directed by Gerald Potterton, produced by Ivan Reitman and Leonard Mogel, who also was the publisher of Heavy Metal magazine, which was the basis for the film, and starring the voices of Rodger Bumpass, Jackie Burroughs, John Candy, Joe Flaherty, Don Francks, Martin Lavut, Marilyn Lightstone, Eugene Levy ...

  7. The primary literary influence on film noir was the hardboiled school of American detective and crime fiction, led in its early years by such writers as Dashiell Hammett (whose first novel, Red Harvest, was published in 1929) and James M. Cain (whose The Postman Always Rings Twice appeared five years later), and popularized in pulp magazines such as Black Mask.

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