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Definition The Stranger, full film. The question of what defines film noir, and what sort of category it is, provoke continuing debate. " We'd be oversimplifying things in calling film noir oneiric, strange, erotic, ambivalent, and cruel ..."—this set of attributes constitutes the first of many attempts to define film noir made by French critics Raymond Borde [] and Étienne Chaumeton in ...
- Italian Neorealism
Italian neorealism (Italian: Neorealismo), also known as the...
- German Expressionism
Expressionism is a modernist movement, initially in poetry...
- Robert Siodmak
Early life. Siodmak was born in Dresden, Germany, the son of...
- Stranger on The Third Floor
Stranger on the Third Floor is a 1940 American film noir...
- The Set-Up
The Set-Up is a 1949 American film noir boxing drama...
- The Big Combo
The Big Combo is a 1955 American crime film noir directed by...
- Italian Neorealism
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Feb 3, 2020 · House by the River is a 1950 American crime film noir directed by Fritz Lang and starring Louis Hayward, Lee Bowman and Jane Wyatt.Wikipedia:...
- 85 min
Feb 3, 2020 · M is a 1951 American film noir directed by Joseph Lose y. It is a remake of Fritz Lang's 1931 German film of the same name about a child murderer. This version shifts the action from Berlin to Los Angeles.
- 88 min
19. Beware, My Lovely (1952) Approved | 77 min | Crime, Drama, Film-Noir. A mentally disturbed handyman on the run, for reasons even he doesn't understand, takes a job at the house of a lonely war widow in 1918. Director: Harry Horner | Stars: Ida Lupino, Robert Ryan, Taylor Holmes, Barbara Whiting. Votes: 2,332.
Jul 15, 2015 · BORN TO KILL: Directed by Robert Wise starring Lawrence Tierney, Clare Trevor, Audrey Long, Walter Slezak, Elisha Cook Jr. and Esther Howard. Produced at RKO. Eddie Muller called this film noir, “The most perverse film of 1947.”.
Film noir is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the ...
